Tag Archives: Blade Runner

Rutger Hauer: Like Tears In The Rain…

Very few actors are distinctive and really stand out against the sea of Hollywood pretty boys. Very few actors posses that ‘something’ that you can’t quite explain what it is, but you know it’s there when you see it. Very few actors can play a villain and yet, you enjoy them for it. The great Alan Rickman was one of those very few who we sadly lost a handful of years back. And more recently, we lost another one of those very few.

Rutger Hauer sadly died a few days ago, though his passing was only made public recently. It’s pretty hard to know where to start when remembering an actor as diverse and varied as Hauer, but I do know I want to save the best for last. I guess the best thing to do is start with a brief profile.

Rutger Hauer Gif

Rutger Oelsen Hauer was born on the 23rd of January, 1944 in Breukelen, Netherlands during World War II. In fact, the Netherlands was under German occupation at the time of his birth. Aged 15, Hauer left school and joined the the Dutch Merchant Navy where he spent a year travelling the world. He returned home and signed up at the Academy for Theatre and Dance in Amsterdam for acting classes but soon left to join the Royal Netherlands Army where he trained as a combat medic. Hauer decided to give the whole acting thing another go and and graduated from acting school in 1967.

Rutger Hauer landed a few small roles in his early acting career, but it was in the Paul Verhoeven directed flick, Turkish Delight from 1973 where he really got noticed. He began to take on more roles in his homeland but struggled to breakthrough in America. His American film debut was in 1981 where Hauer acted alongside Hollywood heavyweight Sylvester Stallone in the flick Nighthawks. It’s a rather bland and dull action/thriller but I have to say that Rutger Hauer’s performance is brilliant as the main villain, but most of his scenes were cut out of the released film because (supposedly) Stallone felt he was being upstaged and so requested that Hauer’s part be cut. There’s said to be two versions of the film shown to test audiences at the time. The one with all of Hauer’s scenes, which test audiences loved. Then there is the one with a lot of his scenes removed that was not as popular… yet it was the latter one that was released to the public.

Nighthawks.jpg

Then the following year in 1983, Hauer appeared in a film that many people consider his very best performance, Blade Runner. Here, Hauer played Roy Batty a replicant (kind of an android thing created by man) who was in search of his creator to ask for more life before he dies. Out hunting these replicants is Rick Deckard (Harrison Ford) who has been ordered to ‘retire’ any replicants he comes across. Well there’s a lot more to the film than that, but if I were to go into detail, I’d be here all day attempting to explain it. Basically, just go watch Blade Runner (any of the numerous versions), it’s amazing.

Philip K. Dick who wrote the novel, Do Androids Dream of Electric Sheep? on which the film is based had this to say about Hauer’s performance in the flick:

“The perfect Batty, cold, Aryan, flawless”

– Philip K. Dick

The man himself had this to say in a 2001 interview:

“Blade Runner needs no explanation. It just is. All of the best. There is nothing like it. To be part of a real masterpiece which changed the world’s thinking. It’s awesome.”

– Rutger Hauer

The infamous “Tears in the rain” speech delivered by Hauer’s Batty at the end of the flick was rewritten from the original by Hauer. He then presented it to director Ridley Scott who loved it and included it in the final cut of the film.

Rutger Hauer Blade Runner

After Blade Runner, Hauer finally began to be noticed in Hollywood as the roles started to flood in and he had a steady and respected career through the 80s in flicks such as Flesh & Blood, Eureka and Ladyhawke to name a few. In 1987 he starred in the action picture Wanted: Dead or Alive which is a strange reboot/remake/sequel of the T.V. series of the same name. In this one, Hauer plays Nick Randall an ex-CIA operative turned bounty hunter. Anyway, the character he plays is said to be a descendant of Josh Randall who was played by Steve McQueen in the 1958 T.V. show… which itself was a spin-off of another T.V. show called Trackdown.

Rutger Hauer Blind Fury

Oh and there was the still brilliantly entertaining Blind Fury from 1989 where Hauer plays a blind Vietnam War veteran who is highly skilled with a sword. He sets out to find one of his missing ex-veteran friends. Blind Fury is actually a remake of a Japanese flick called Zatoichi Challenged from 1967. I love this film, it’s a bit silly but it’s meant to be. Blind Fury is an action/comedy/samurai film that’s a lot of fun.

The 90s is where Rutger Hauer’s career really took off as he began to appear in more and more films. Wedlock, Nostradamus, Surviving the Game (love this one), Split Second and of course the original Buffy the Vampire Slayer before the T.V. show even existed. Through the 90s, Hauer was hugely prolific and did a lot of sci-fi  and action flicks. But for me, the main thing from the 90s I’ll always remember him for was the Guinness (Pure Genius) ads here in the U.K. The ads were bizarre, strange, obscure and yet they just worked, they were very ‘Rutgery’. You can check them out here.

 

As the 2000s began, Hauer’s career began to dry up a little, he was still working but you didn’t see him all that often until the awesome 2005 comic book bought to life flick Sin City where he played Cardinal Roark. After Sin City, Rutger’s career took off once more and he continued with his very successful career all though the 2000s. He appeared in the Christopher Nolan Batman trilogy with Batman Begins. But my favourite film of his from the 2000s was the overlooked, black comedy, exploitation flick Hobo with a Shotgun. This one is so ridiculously over the top and stupid that it’s genius. The title tells you the whole plot, Hauer plays a hobo who get a shotgun and cleans up the neighbourhood. It’s a stylised, 70s exploitation flick and it’s glorious.

As well as film work, Hauer had a successful T.V. career too appearing in shows like Alias, Smallville, True Blood, Porters and many more. He even featured in a couple of video games with Observer and Kingdom Hearts III.

Of course Rutger Hauer fans reading this would’ve noticed a glaring omission from his acting credits I’ve not yet covered. As I said earlier, I’ve saved the best for last…

Rutger Hauer The Hitcher

Many people including Hauer himself say that Blade Runner’s Roy Batty was his best performance. But for me it was John Ryder from the 1986 psychological horror picture The Hitcher. This is Rutger at his most ‘Rutgerist’. He’s cold, manipulative, dark, murderous, twisted… and yet utterly charming and endearing too. This is that ‘something’ I alluded to before when an actor had that thing that just works and is perfect casting. There is a great mystery surrounding the character, one that film fans have theorised over for years and I aim to offer my own view soon-ish.

The Hitcher is a tense and suspenseful horror flick that really lacks things like blood and gore. It’s more about cerebral horror. The film was pretty much a commercial flop when released and  slated by many respected critic at the time.

“This movie is diseased and corrupt. I would have admired it more if it had found the courage to acknowledge the real relationship it was portraying between Howell and Rutger, but no: It prefers to disguise itself as a violent thriller, and on that level it is reprehensible.”

– Roger Ebert

It’s really quite hard to find a positive review of the film at the time. But all that proves to me is that these critics have no idea what they are talking about. The Hitcher is perhaps too subtle for some people to grasp. It’s not an out and out gore-fest, it’s not overtly violent compared to other horror films of the day. It’s just more indirect with it’s message and has a lot more layers to it than you first realise. As I say, I aim on doing a a much deeper look at Hauer’s John Ryder at some point to highlight what I mean. But The Hitcher is brilliant and by far my favourite Rutger Hauer performance.

As of writing and even though he is now gone, Hauer still has a handful of films currently going through post-production to be released later down the line. So we’ve still not seen the last of the great actor yet.

Rutger Hauer died on the 19th of July, 2019 following an as of yet unspecified illness. He was 75 years old.

“I hate guns, I think they’re the worst thing ever invented.”

– Rutger Hauer

Games That Aren’t Based On Movies…Honest!

When it comes to gaming, the movie license genre can be very hit or miss – with many, many more misses than hits. For every awesome GoldenEye 007 there’s a dozen or so Charlie’s Angels, Fight Club, Batman Forever and so on. The main thing about the movie licensed game is timing as developers/publishers want the game out in shops when the movie is in the cinema. A good film can result in a well selling game regardless of quality. Another factor of the licensed game is the cost as money has to go toward not only developing the game itself and paying all those wages of everyone that works on it, but there is also the cost of the licence itself. The bigger and more famous the movie, the more the studio want for the licence to make a game based on it. So what if a developer doesn’t really feel like paying for a movie license? Just make the game anyway and change a few details and claim the game is ‘inspired by’ instead of ‘based on’.

So here I’m going to take a quick look at a few games that are very clearly ‘inspired by’ movies but most definitely not ‘based on’ them…honest!

Werewolves of London

Werewolves of London.jpg

Developed by Viz Design and released for the  ZX Spectrum, Amstrad CPC and Commodore 64 in 1987. Interestingly, the ZX Spectrum, Amstrad CPC versions were released on the same cassette as a ‘flippy’ with the Spectrum version on one side and the Amstrad on the other, probably to save production costs.

The basic plot of the game has you playing as a character who is cursed with Lycanthropy and you have to find the people who put the curse on you and kill them. An interesting action game with some light strategy elements. But the game was released unfinished as original publisher, Ariolasoft ended up going bankrupt. You play as a human but when the in-game timer hits midnight, your werewolf side comes out. This is when you are hunted by the folk of London as well as the police. The more people you kill and the more active the police become. Avoid the police and kill those who put the curse on you to win the game.

Werewolf of London Poster

I suppose that 1981’s An American Werewolf in London would be the obvious reference with this game and there are definitely elements of the film in there. But I think it’s biggest influence would be the 1935 flick, Werewolf of London. The plot of the film features a character who is bitten by a werewolf while on an expedition to Tibet and infected with Lycanthropy. Back home in London and he manages to track down the person/werewolf who bit him, who is now in London and seeks his revenge.

Alien Breed

Alien Breed.jpg

A simple top-down arcade shooter that takes inspiration from the arcade classic Gauntlet but wearing a nice Sci-Fi hat. Developed and published by Team 17 in 1991 originally for the Amiga – though other ports soon followed. Alien Breed became a successful franchise with numerous sequels, updates and even remakes.

The game has a simple enough goal of getting the the end of the level to progress to the next. The goal itself may be simple but actually achieving it is not as each level is full of aliens and locked doors to hinder your progress. Thankfully each level is littered with power-ups and credits that you can pick up and spend in terminals to buy new weapons and upgrades.

Aliens

Do I really need to mention which film(s) this game series is inspired by? Alien and its sequel Aliens are the all too obvious influences here. In fact the original Alien Breed game was so much like the Alien films (in particular the alien designs and weapons) that developer Team 17 actually approached 20th Century Fox who own the Alien film rights and asked for permission to make the game, which Fox happily agreed to. So Alien Breed is technically approved by but not based on the Alien films.

I feel a couple of honorable mentions need to go to Alien Syndrome and the Contra franchise who’s games are also very clearly influenced by the Alien films.

Zombi

Zombi

Ubi Soft are one of the biggest developer/publishers working today with successful franchises such as Assassin’s Creed, Far Cry and Watch Dogs to name a few. Back in 2012 they released a zombie survival game called Zombi U for the Nintendo Wii which was later ported to the PlayStation 4 and Xbox 360. Not many people know that Zombi U was actually a reboot of their very first game released back in 1986, Zombi.

An action/adventure game where you control four protagonists who find themselves stuck in a huge shopping mall full of zombies. You must scavenge the mall for anything to help you battle the unrelenting zombie hordes. Search shops for guns and supplies as you fight to keep your four heroes alive and find fuel for an awaiting helicopter on the roof to make your escape.

Dawn of the Dead

All of this should sound very familiar to any self-respecting horror film fan. Ubi Soft’s Zombi is basically an unofficial game version of the George A. Romero classic zombie flick Dawn of the Dead. Its the exact same plot and the game features several elements taken directly from the film including using trucks to block the entrances to the mall and a gang of bikers who turn up adding to the zombie chaos. Just as an interesting aside, the movie Dawn of the Dead was re-titled Zombi for some European counties including France where Ubi Soft originated from.

Speaking of Dawn of the Dead…

Dead Rising

Dead Rising.jpg

Capcom released the first Dead Rising in 2006 with the latest in the series released in 2016. Several spin-offs and remakes have been released along the way too. All in all, Dead Rising is a pretty successful franchise in its own right. Each game has its own unique setting, but its the first game in the franchise that we need to take a look at here.

Playing as photojournalist, Frank West – you find yourself in a shopping mall that becomes overrun with zombies. Explore the mall, search shops for weapons and save survivors along the way…any of this sound familiar?

Yup, we have another zombie survival game inspired by Dawn of the Dead. In fact, Capcom were so worried about facing backlash form George A, Romero that the original print run for the game came with a disclaimer on the cover that read:

“This game was not developed, approved or licensed by the owners or creators of George A. Romero’s Dawn of the Dead.”

Dead Rising Disclaimer Cover.jpg

While Dead Rising only used a similar setting to Dawn of the Dead (unlike Ubi Soft’s Zombie with just ripped it off completely – story and all), you still feel the George A. Romero influence throughout and despite what Capcom may claim, its pretty obvious that Dawn of the Dead was a major inspiration.

Shadowrun

Shadowrun

So there have been several Shadowrun games over the years but I’ll be looking at the SNES version for this one. The games are most directly based on the tabletop RPG board game series but that itself is inspired by a certain movie. The SNES version of Shadowrun was released in 1993 by developer Beam Software.

Set in a cyberpunk-fantasy, dystopian future where you play as a Jake Armitage who wakes up in a morgue with complete memory loss and has to investigate who he is and why he woke up in a morgue. Jake explores the city interrogating civilians and being attacked by cybernetically enhanced humans.

Blade Runner

Story wise, they are nothing alike (the story is actually based on the first Shadowrun novel – Never Deal with a Dragon) but its the setting and overall look that makes Shadowrun very, very similar to the 1982 Sci-Fi classic Blade Runner. The look of the characters, the lexicon the dialogue is written in, the weapons, the overall art style, etc all have a very distinct Blade Runner look and feel to them and all make the SNES version of Shadowrun one of the best (none) Blade Runner games.

Another couple of notable mentions to the games Snatcher and Syndicate as other Blade Runner-esque titles.


There are several other games that are quite clearly ‘inspired by’ other movies, but I’ll save those for another time.

The Best (Or Worst) Cinematic Villains

With the major disappointment of a bad guy that was the boring CGI-fest, Steppenwolf from the recent Justice League flick. I got to thinking about some of my favourite on-screen villains over the years. From total, outright murderous killers to more subtle antagonists that have you rooting for the bad guy or feeling sorry for them despite their nefarious ways. There is one thing all the villains on my list have that Justice League‘s Steppenwolf does not… personality, character, depth, charm and screen presence – okay so that’s more than one thing – but you get the point, Steppenwolf was shit.

A film’s bad guy (or gal) can be both despised and revered at the same time if they are written/acted well enough and a good villain is required for the film to work. So here we go and in no particular order – with my top (whatever number as I’m not counting) list of cinematic antagonists. Pre-warning SPOILERS ahead for some films…

Terminator (The Terminator)

Terminator

The movie role that catapulted Arnold Schwarzenegger into Hollywood fame. A killer cyborg sent from the future to kill the leader of the resistance that will stop the machine’s rule over the humans – before he has even been born. The Terminator is a low budget sci-fi/horror flick with a lot of heart and ambition. Still one of the all time great pictures that sticks in the mind thanks to its then unknown star, Schwarzenegger playing the titular Terminator… or The Cyberdyne Systems Model 101, Series T-800 – if you prefer.

A chilling villain that is seemingly unstoppable and for me, still Schwarzenegger’s finest on screen role that packs in a hell of a lot of screen presence even though he only has only 14 lines of dialogue in the entire flick.

Terminator: “Fuck you, asshole.”

The Kurgan/Victor Kruger (Highlander)

The Kurgan

Cruel, ruthless, megalomaniacal and brutal – The Kurgan (real name unknown) is the antagonist from Highlander, played to perfection by Clancy Brown. He sees no issue with running people through with his sword or terrorising nuns in a church. Not much is known about the character other than he used to be a member of an ancient tribe of the Russian Steppes known only as ‘The Kurgan’… which is where he took the name from. When he became an immortal is also unknown and its the unknown that makes the character so damn enjoyable. All we do know about him is that he likes to kill people – especially other immortals.

Brown’s performance as The Kurgan is both terrifying and humorous at the same time. A dark charm that should be wrong, but feels so very right with just the perfect amount of fun thrown in.

Kurgan: “I have something to say! It’s better to burn out than to fade away!”

Biff/Griff/Buford Tannen (Back to the Future)

Biff-Griff-Buford

I think Marty McFly pretty much summed it up when he said “He’s an asshole!” when describing Buford Tannen. Pick any of the iterations of the character from any of the Back to the Future flicks and they are complete assholes… yes even the mild and meek post 1955 time travel version of Biff is somewhat ‘off’ despite him being transformed into a ‘good guy’. Through the Tannen family history, they have killed lawmen, bullied and beaten up countless school kids, attempted to rape Lorraine Baines… oh and murdered George McFly. Yet each and every time they meet a rather repugnant end involving manure.

With Tom Wilson playing each of the Tannen kin through the years. There has been around 130 years of sheer ‘assholery’ through the Back to the Future trilogy and every second of it has been a joy to watch.

Biff Tannen: “Since you’re new here, I’m gonna cut you a break… today. So why don’t you make like a tree and get outta here!”

Roy Batty (Blade Runner)

Roy Batty

Whenever Rutger Hauer plays a bad guy – he proves why he’s one of the best. In fact, when it came to putting this list together – I had a tough time between choosing Roy Batty or ‘John Ryder’ from The Hitcher. I settled on Batty because I have something else planed for Ryder later…

Hauer plays the role as cold as he could giving Batty a chilling persona as the replicant (android made identical to humans but with a shorter life) just trying to find his creator to ask for more life. And when he does finally find his ‘father’, he ends up killing him in a brutal manner. One of the few cinematic villains you genuinely end up feeling sorry for, thanks to the amazing performance from Hauer – especially after his short but eloquent farewell speech.

Roy Batty: “I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser Gate. All those moments will be lost in time… like tears in rain. Time to die.”

Tommy DeVito (Goodfellas)

Tommy DeVito.jpg

Tommy DeVito is a cruel, psychopathic sadist with ‘short man syndrome’ who’ll share a drink with you one second and then stab you in the neck with a pen the next or shoot you in the foot for not walking fast enough. With the mighty Joe Pesci playing the role, we are given a bad guy that is as fun as he is twisted.

Pesci made the character much more memorable than anyone could have guessed. Going from laughter to sheer rage on a sixpence and often without warning. DeVito really is one of cinemas all time great bad guys… or Goodfellas. Plus he also gave us one of the greatest and most tense scenes caught on film…

Tommy DeVito: “You mean, let me understand this cause, ya know maybe it’s me, I’m a little fucked up maybe. But I’m funny how, I mean funny like I’m a clown, I amuse you? I make you laugh, I’m here to fuckin’ amuse you? What do you mean funny, funny how? How am I funny?”

Joan Crawford (Mommie Dearest)

Joan Crawford (Mommie Dearest).jpg

So this one is a little ‘different’ as its a portrayal of a real person and not just anyone – but one of Hollywood’s greatest actresses ever, Joan Crawford – played by Faye Dunaway. Mommie Dearest is a biographical dramatisation flick telling the true-ish story of Joan Crawford adopting a little girl whom she named Christina and finally became a mother after a number of miscarriages.

The film is wonderfully terrifying and that is thanks to Dunaway’s stunning performance as Hollywood royalty – Joan Crawford. The relationship between mother and daughter is disturbing as Crawford pushes and punishes Christina for pretty much nothing. The film was panned by critics when originally released, but has since found its audience today and rightfully so too.

Joan Crawford: “No wire-hangers, ever!”

Nurse Ratched (One Flew Over the Cuckoo’s Nest)

Nurse Ratched

From one crazy-ass bitch to another. Enter Louise Fletcher playing Nurse Mildred Ratched, the main antagonist from One Flew Over the Cuckoo’s Nest. She’s cold-hearted, vindictive and strict as the head nurse of a hospital for patients with mental illnesses. Its when a new patient, R.P. McMurphy (Jack Nicholson) enters the hospital that she is pushed to her limit and beyond.

Okay, so I have a confession to make here. I really didn’t want to include Nurse Ratched as a ‘villain’ because I quite honestly do not see her as one. Yeah she’s tough and manipulative – but I’ve always seen her as ‘just doing her job’. For me, I personally find R.P. McMurphy to be more antagonistic in the film than Nurse Ratched. But she is generally seen as the main antagonist so I’ll include her (cos she’s an awesome character) even if I don’t necessarily agree.

Nurse Ratched: “If Mr. McMurphy doesn’t want to take his medication orally, I’m sure we can arrange that he can have it some other way. But I don’t think that he would like it.”

Richard Vernon (The Breakfast Club)

Richard Vernon

Much like the previous Nurse Ratched, here was have a villain who is only considered bad because they are doing their job… except this character is a real asshole and played brilliantly by Paul Gleason. Vernon is the vice principal of Shermer High School, and one Saturday – he holds a detention for five students and tells them to write a thousand word essay on who they think they are.

The Breakfast Club is easily my favourite film from the legendary director John Hughes and I feel a big part of that enjoyment comes from the extremely controlling, devious and egotistic nature of ‘Dick’ Vernon who controls the students with an iron fist and shows no mercy or remorse either.

Richard Vernon: “But someday when you’re outta here and you’ve forgotten all about this place and they’ve forgotten all about you, and you’re wrapped up in your own pathetic life, I’m gonna be there. That’s right. And I’m gonna kick the living shit out of you. I’m gonna knock your dick in the dirt.”

Hans Landa (Inglourious Basterds)

Hans Landa

When it comes to Quentin Tarantino bad guys – we are spoilt for choice; Jules Winnfield (Samuel L. Jackson), Ordell Robbie (Samuel L. Jackson), Stephen (Samuel L. Jackson)… but I’ve gone for the Nazi officer of the SS, Col. Hans Lander and his impressive smoking-pipe. Lander, nicknamed ‘The Jew Hunter’ – a name his is extremely proud of, is ruthless in his investigations and capture (and often killing) of Jews.

Christoph Waltz (rightfully) won an Oscar for his performance as the relentless SS officer and the opening, very tense scene shows just why he fully deserved the award too. Waltz’s multilingual performance is a pure joy to watch and this is one bad guy I love to hate.

Hans Lander: “What a tremendously hostile world that a rat must endure. Yet not only does he survive, he thrives. Because our little foe has an instinct for survival and preservation second to none. And that, Monsieur, is what a Jew shares with a rat.”

John Doe (Seven)

John Doe.jpg

Real name unknown – John Doe is a clever and manipulative character who keeps diaries and notes on his crimes and victims. The film does a great job of keeping him in the shadows and we only learn who he really is in the latter part of the flick – he first ‘real’ entrance in the movie when he walks into the police station covered in blood and calmly saying “detective” over and over as he hands himself in (until he snaps and has to scream) is both twisted and revealing once you know just who’s blood he is covered in and why.

Recent allegations aside – Kevin Spacey is fucking awesome in this flick. He performance is so memorable that you’ll be talking about it for years later… as I am right now. The acting is subtle and calming. This all just adds to the performance and creates one of the best killers ever caught on film.

John Doe: “Wanting people to listen, you can’t just tap them on the shoulder anymore. You have to hit them with a sledgehammer, and then you’ll notice you’ve got their strict attention.”

‘Angel Eyes’ (The Good, the Bad and the Ugly)

Angel Eyes

Some more pipe-smoking action now from Lee Van Cleef playing ‘Angel Eyes’ (real name unknown, though he is named in the original Italian version of the film) in one of the best Westerns ever made. Also known as the titular ‘Bad’ from the film. ‘Angel Eyes’ is a ruthless and cunning killer who is not afraid to pull the trigger on anyone who gets in his way. Still, if shooting people is not enough – he’ll also have the living shit beaten out of you until you are barely alive… as Tuco discovers in the film, while just gleefully watching on.

Van Cleef’s performance of ‘Angel Eyes’ is undeniably cool but also cruel and unforgiving. He barely thinks twice about murder as he shoots his way through people just to find a man called Bill Carson.

‘Angel Eyes’: “Even a filthy beggar like that has got a protecting angel. A golden-haired angel watches over him.”

Hans Gruber (Die Hard)

Hans Gruber

Of course I had to include quite possibly THE greatest bad guy in an action film ever. Hans Gruber is cool, calm and collected – he dresses well and is a very reasonable person. But don’t let any of that fool as as he’s also ruthless and thinks nothing of shooting someone in the head at point blank range. He was once part of the Volksfrei West German terrorist group – but was expelled from the group… probably for being too damn bad-ass.

God damn it, I miss Alan Rickman and this is his best role ever. He dulcet, super smooth voice added to the character’s laid back attitude and persona. Check out any ‘top (whatever) bad guys list’ on the interwebs and you’ll find Hans Gruber pretty much always near the top if not at the top. The only reason he’s not at the top here is because I just don’t do ‘top lists’. Rickman’s performance is just memorising and makes Gruber one of those rare villains you can’t help but love and just wish he got away with it at the end.

Hans Gruber: “I wanted this to be professional, efficient, adult, cooperative. Not a lot to ask. Alas, your Mr. Takagi did not see it that way… so he won’t be joining us for the rest of his life.”

Gunnery Sergeant Hartman (Full Metal Jacket)

Sergeant Hartman.jpg

A foul-mouthed drill sergeant who bullies his recruits – especially the struggling Private Pyle (Vincent D’Onofrio) played to his shoutiest best by R. Lee Ermey. So strong and memorable was this performance that he has been held up as the template for any drill sergeant in TV and films ever since. He’s racist, obnoxious, uncaring and ruthless – his dialogue has gone down in movie history as being some of the very best from any single film character.

Ermey’s performance is shocking but he also makes it impossible to not ‘enjoy’ the character despite his sheer awfulness. The way he verbally,  physically and mentally abuses his recruits is tremendous but uncomfortable to watch and all comes to a boiling point when he pushes Private Pyle too far.

Gunnery Sergeant Hartman: “Holy dog shit! Texas? Only steers and queers come from Texas, Private Cowboy, and you don’t look much like a steer to me, so that kinda narrows it down. Do you suck dicks?”

Don Logan (Sexy Beast)

Don Logan

You remember the movie Gandhi right? The one where (Sir) Ben Kingsley plays the eponymous peace-seeking pacifist and won the best actor Oscar for it too? Well this role is the polar opposite of that and in my opinion just as worthy of an Oscar too. This is Kingsley at his foul-mouthed, frenzied, frightening finest. Logan is a recruiter for the London criminal underworld who turns up in Spain to convince retired expert safe-cracker Gary Dove (Ray Winstone) to take part in a major London bank heist. But it is when Dove turns the offer down that Logan shows his true colours.

I avoided this film at first because I thought it sounded like a crap porn flick. So when I did finally sit down to watch it – going in completely unaware of what it was about, I was blown away by Kingsley’s stunning performance. Not only is Sexy Beast a great ‘London gangster’ flick – it features a brilliant bad guy with Logan and one that’ll stick in my head forever.

Don Logan: “You’re the problem! You’re the fucking problem you fucking Dr White honkin’ jam-rag fucking spunk-bubble! I’m telling you Aitch you keep looking at me I’ll put you in the fucking ground, promise you!”

Norman Bates (Psycho)

Norman Bates

Norman Bates – the man with severe ‘mommy issues’. Probably one of the greatest villains to ever grace the cinema screen. A young, shy and retiring man who’s nervousness hides a deep, dark secret. With Anthony Perkins playing the role in a charming and enduring manner which helps to hide just exactly what is going on in his head. Psycho is one of the greatest films ever made with such iconic imagery, music and of course that ending…

If you’ve ever read the novel Psycho – then you’d know just how different the character of Norman is in the film. In the book, he’s a fat, balding alcoholic. A million miles away from Perkins. But it was director Alfred Hitchcock who wanted to make the change so the audience would sympathise with Norman, and its a change that really works well and helped by the charismatic performance of Perkins himself which makes the ending all the more shocking.

Norman Bates: “It’s not like my mother is a maniac or a raving thing. She just goes a little mad sometimes. We all go a little mad sometimes. Haven’t you?”

Harry Lime (The Third Man)

Harry Lime.jpg

Not to be confused with the burglar Harry Lime from Home Alone. This Lime is a criminal who was killed in a car accident… or was he? When one of his close friends claim to have seen Lime alive and well, his grave is opened up only to find that Lime is not the man buried. Which all leads to a cat and mouse chase to track down the criminal.

Lime is effortlessly played by Orson Welles. He is amoral, careless but also wickedly charming and charismatic too. The Third Man is a wonderful flick that is most definitely lifted several levels by Welles’ performance – his infamous wry smirk hides a thousand lies.

Harry Lime: “In Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? The cuckoo clock.”

Vincenzo Coccotti (True Romance)

Vincenzo Coccotti.jpg

Vincenzo Coccotti is a Sicilian consigliere for local Detroit mobster ‘Blue’ Lou Boyle. Only a minor character in the film – but one you won’t forget in a hurry. Coccotti is cold and calculating played beautifully by Christopher Walken. He is hardly in the film and only appears in one scene… but what a great scene it is.

My second Tarantino bad guy on here, but he does create such awesome villains that I could probably do a list just full of them. The aforementioned scene in which Coccotti appears alongside Clifford Worley (Dennis Hopper) is a tense and wonderfully written scene that has Tarantino’s fingerprints all over it. Walken’s performance is both terrifying and engrossing at the same time.

Vincent Coccotti: “I’m the Anti-Christ. You got me in a vendetta kind of mood. You tell the angels in heaven you never seen evil so singularly personified as you did in the face of the man who killed you. My name is Vincent Coccotti.”

Amon Goeth (Schindler’s List)

Amon Goeth

This guy is one psychopathic, sadistic, brutal, abusive and emotionless Nazi. He’ll sit on his balcony and shoot Jews for no reason other than they are Jews and he is bored. He also beat the shit of his maid because she turned down his advances. And these instances are some of his more tame crimes. At the end of the film, Goeth is executed by hanging, but not before calmly patting his hair into place and uttering “Heil Hitler” – showing his total lack of remorse perfectly clear.

Played by Ralph Fiennes to chilling effect, this performance is one of the most disturbing and difficult to watch in film. Some bad guys have a redeeming quality, if not more than one. Goeth has nothing redeeming about him, he’s just pure fucking evil personified. One of the most disgustingly, despicable movie villains ever.

Amon Goeth: “Today is history and you are part of it. Six hundred years ago, when elsewhere they were footing the blame for the Black Death, Casimir the Great – so called – told the Jews they could come to Krakow. They came. They trundled their belongings into the city. They settled. They took hold. They prospered in business, science, education, the arts. They came with nothing. And they flourished. For six centuries there has been a Jewish Krakow. By this evening those six centuries will be a rumour. They never happened. Today is history.”


Well there you have it, a selection of some of my favourite on screen villains… and all of them far more impressive and memorable than Steppenwolf. To be honest, there were a tonne I left off this list with plenty more antagonists I enjoy just as much if not more. But I had to pick and choose to keep this list at a reasonable length – still, I could always do another list in the future or even feature some of my other favourites in much more detailed articles…