My Favourite Die Hard Scene

Yippee ki yay mother cluckers! It’s Christmas Eve and I’m sitting here partaking in my annual, thirty-plus year tradition of watching Die Hard. I’m not going to enter the never ending debate of whether Die Hard is a Christmas movie or not, all I’ll say is that a Christmas movie is one you enjoy watching over the festive season, regardless of setting or story. Anyway, I’m around fifteen minutes or so away from the end credits rolling and waiting for Vaughn Monroe to belt out Let it Snow. As I sit here readying myself for Hans Gruber to fall from Nakatomi Plaza… again. I thought I’d write about my favourite scene in the movie.

GRUBER FALL

Now, Die Hard is an all action flick with bullets flying, explosions destroying “a shit-load of screen doors” and attack helicopters… “Just like fucking Saigon, eh Slick?”. So the obvious pick for my favourite scene would be an action one… but it’s not. My pick is something far removed from action, it’s a scene where two people just talk. Yup, forget the mounting bodies of terrorists, the fiery destruction and pithy one liners. For me, it’s all about two guys talking. 

I guess the obvious choice would be the brilliant scene where McClane and Gruber meet face to face. The whole Hans Gruber trying to pass himself off as a worker at Nakatomi Plaza. It’s a very Alfred Hitchcock-esque bomb scene. I’ll let the man himself explain:

“There is a distinct difference between ‘suspense’ and ‘surprise’, and yet many pictures continually confuse the two. I’ll explain what I mean.

We are now having a very innocent little chat. Let’s suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, ‘Boom!’ There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o’clock and there is a clock in the décor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: “You shouldn’t be talking about such trivial matters. There is a bomb beneath you and it is about to explode!”

In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.”

– Alfred Hitchcock

It is that suspense of the McClane and Gruber meeting that makes that scene work. We the audience know ‘Bill Clay’ is Gruber, and we would like to warn the hero. But there’s the added twist of the fact that we don’t know if McClane knows who ‘Bill Clay’ really is or not. The suspense is so thick you could cut it. The fact it’s brilliantly acted helps too. Yet as great as that simple scene of two people talking is amazing, it’s still not my favourite. My choice actually comes not too long after that meeting of McClane and Gruber.

MCCLANE AND GRUBER

So ‘Bill Clay’ reveals himself to be Hans Gruber and in turn, John McClane reveals himself not to be as stupid as Gruber hoped, what with giving him an empty gun and all. Anyway, Gruber’s men turn up and a mass shoot out begins. McClane runs for his life and is cornered, in an office with glass panels everywhere. There’s a fire escape near by, but one major problem. Hans Gruber orders Karl to “schieß dem fenster”… shoot the glass! Tit-bit time: ‘schieß dem fenster’ actually translates to ‘shoot the windows’. This could explain why Karl looks at Hans with a puzzled look on his face, as shooting out the windows makes no sense. So Hans repeats, in English and this time says to “shoot the glass” (panels) in the office instead of the windows. 

So the shards of glass fly and McClane has to make a run for it… barefoot. We then cut to McClane dragging himself across the floor into a bathroom, beaten and bloodied, complete with shards of glass in his feet. He pulls out his walkie-talkie and begins a conversation with Sgt. Al Powell, McClane’s only confidant who is outside with the rest of the police and gathering press. They engage in a bit of light-hearted banter, taking bets on McClane making out alive and all. There are a couple of laughs as the pair chat. But there’s something niggling away at the back of John McClane’s head, he begins to believe he won’t actually make it out alive. Up to this point in the flick, he’s already been through hell. Fist fights, shot at (many, many times), stuck in vents, he’s exhausted and pissed off that the police are doing such a terrible job outside. Plus, he now has a load of broken glass stuck in his bare feet.

MCCLANE BAREFOOT

“The man is hurting! He is alone, tired, and he hasn’t seen diddly-squat from anybody down here. Now you’re gonna stand there and tell me that he’s gonna give a damn about what you do to him, IF he makes it out of there alive?”

– Sgt. Al Powell

John McClane is only human and he’s been pushed about as far as any man can be pushed, he’s been stretched to breaking point already and he knows it. He’s pretty much about to give up, or die trying. That’s when he opens up to Powell and the conversation changes from the light-hearted banter to something more macabre. McClane asks Powell for a very specific favour. He asks Powell to find his wife and give her a message:

“Tell her it took me a while to figure out, uh, what a jerk I’ve been, but um, that, uh, when things started to pan out for her, I should’ve been more supportive and, uh, I just should have been behind her more. Tell her, that, uh, that she is the best thing that ever happened to a bum like me. She’s heard me say ‘I love you’ a thousand times, she never heard me say, ‘I’m sorry.’ I want you to tell her that, Al. I want you to tell her that, uh John said he’s sorry.”

– John McClane

This is the hero trying to get a final massage to his wife because he knows his time is all but up. You have to remember that at the time, Bruce Willis was not a huge star. Aside from being on the T.V. show Moonlighting (great show I highly recommend), he just wasn’t that well known back then. That coupled with John McClane trying to get a final message to his wife kind of convinced the audience that the hero could very well die in this film.

Willis’ acting in that one scene and the moment when McClane passes the message onto Powell is brilliant. He really manages to convey a sense of fear and loss of drive to continue. I think the way it was written and delivered with the pauses and the ‘ums’ and ‘uhs’ that make the speech sound genuine and real, not ‘movie-like’. Plus there’s a subtle and fantastic bit of direction from ‎John McTiernan that a lot of people miss. When McClane is on on the walkie-talkie, he’s on the left side of the screen, when the shot cuts to Powell, he’s on the right side of the screen. It’s a really clever bit of direction that tries to put the two characters in the same space even though they are in completely different locales. As the camera cuts from one to the other (left, right, left, right), it looks like they are talking to and even looking at each other directly.

MCCLANE BATHROOM

Die Hard is a action film that still holds up well today… yet my favourite bit has nothing to do with action and all about character. And yes… it is a Christmas film. Anyway, it’s coming up to midnight and I have to go to sleep or Santa won’t leave me any Christmas  presents.

My 12 Movies Of Christmas… And When I Watch Them

I have a tradition every year where I watch my choice of Christmas flicks in the 12 day run up to Christmas Day. Now I don’t only watch these 12, I sit through other films in the festive build up, but it is these 12 in particular I always watch on these specific days. It’s not as obvious a list as others as some of my choices have nothing to do with the annual celebrations that are Noël. Now I do have some undisputed Christmas classics here, yet some just are completely unrelated.

Okay, so before I get into this one, I just need to clarify something, why a few of these films have nothing to do with Christmas. Not set at Christmas, no Yuletide characters, not even a slight whiff of a mention of the festive period or any kind of Christmasy message at all. But there is a reason for this, I covered it in my Die Hard/Christmas article last year, but I’ll just quickly recap here to explain…

So back in the 80s here in the UK, we only had 4 TV channels and 2 of them (BBC 2 and Channel 4) tended to concentrate on alternative, indie, ‘outside of the box’ type shows and films. This left the other 2 (BBC 1 and ITV) which were more mainstream and would, over the Christmas period, always fight for viewers by securing big, popular films for the holidays, often TV premieres. Meaning that I got to see a lot of flicks over Christmas as a kid. So even though some had absolutely nothing to do with Christmas, they still take me back to my childhood and remind me of those family gatherings over the festive period and (to me) are very much Christmas movies despite having zilch to do with Xmas at all. So with that out of the way, on with my list.

December 14th

So you know my explanation of how some of the films in my list are not connected to Christmas? Well the first is very much one of those.

Rocky III#

Yeah Rocky III is a Christmas film for me. See, this one takes me back to Christmas of 85 or 86. It was one of those big TV movie premieres I mentioned. We had Nan and Granddad staying with us for Christmas and after dinner, after playing with my new toys but before bedtime. 9 or 10 year old me sat on the sofa with my Nan and we watched Rocky III for the first time. I like to watch this one as my festive movie marathon begins just to spark off that Christmas childhood memory once more and remember by much missed Nan.

December 15th

Well at least this one is set at Christmas. Okay it involves parents abandoning their deformed child, a dead woman brought back to life by cats, a corrupt business man and other man who dresses up as a bat… but it’s set at Christmas.

Batman Returns

Batman Returns is the sequel to the awesome 1989 Batman flick. It’s dark, brooding, moody and very Gothic. Not as good as the first film, but it’s Christmas setting is mainly why it makes this list. I love the juxtaposition of director Tim Burton’s dark vision against the film’s happy setting. Seeing those wonderful sets and buildings that offer a very
foreboding atmosphere decorated with bright and colourful Christmas decorations is beautiful and always gets me in the festive mood.

December 16th

Follow the yellow brick road.

1939, THE WIZARD OF OZ
I have to confess, I really do not like The Wizard of Oz. I don’t like the music, I don’t like the characters, I don’t like the story. So why is it on this list? Because this is another one of those films from my childhood that always seem to be on TV over Christmas when I was growing up. This one takes me back to memories of those family gatherings as we all sat there watching The Wizard of Oz, it just became tradition year after year. I don’t like the film, but I love the memories it brings back.

December 17th

It’s another one of those nothing to do with Christmas films from my childhood. It’s time to go back in time…

Back to the Future
This film was actually released here in the UK in December, 1985, so at least I can say that Back to the Future is Christmasy-ish. But I first saw it on TV years later (and after I watched the sequel in the cinema in 1989) over the Christmas period. There’s not much I can say about this time travelling classic that has not already been said before. A glorious melding of comedy, sci-fi, and awesome music too. One of my all time favourite films that I still love to revisit every year for Christmas.

December 18th

Okay, so nothing but actual Christmas films from this point onward. My all time favourite Christmas story is the Charles Dickens penned A Christmas Carol. I even like to read the original story over the festive period if I get the chance. But when it comes to film adaptions, there are dozens and dozens to choose from.

Scrooge

Scrooge (A Christmas Carol in the US) starring Alastair Sim from 1951 is my pick here. A great and very British re-telling of the tale with a lot of charm and personality. This version also adds a lot more meat to the bones over the source material and none of it feels out of place either. It’s just brilliantly told version of the classic story. The first, but not only version of A Christmas Carol on my list…

December 19th

What’s Christmas without a little fun and merriment? Quite possibly the funniest Christmas film ever about the worst family Christmas ever.

National Lampoon's Christmas Vacation

National Lampoon’s Christmas Vacation is third film in the Vacation franchise starring Chevy Chase as Clark, the head of the long suffering Griswold family. A nice family Christmas soon turns into chaos as guest and family members turn the festive gathering into a disaster. This is crude with toilet humour and slapstick… and I love it. A stupid film for a stupid season that packs a lot of heart warming Christmasy felling into it. Just don’t watch the sequel…

December 20th

Cuteness, monsters and quite possibly the most disturbing story of how a little girl learned there was not Santa.

Gremlins

Monster movies and Christmas is a cocktail that just should not work. But Gremlins gets the mix just right and serves up a tasty concoction. A scary “family film” that is at times a little to intense for kids but great fun for adults. I remember the first time I saw Gremlins, I was about 12 years old and a neighbour rented it out on VHS and asked me over to watch.  It was all I could talk about at school for the following few weeks, I loved it as a kid and even more so as an adult. That story Kate tells of how she found out Santa wasn’t real… that’s dark man.

December 21st

So I may be cheating a bit here as this isn’t really a film. It’s a TV show, but a feature length episode of a TV show… but it is Christmas.

Black Mirror White Christmas

Black Mirror is an anthology show where technology takes centre stage and shows the (mostly) dark and disturbing way it can be abused. Black Mirror: White Christmas is the festive special and it’s just as bleak as it’s standard episodes. This one is actually an anthology within an anthology as this episode features four interconnecting stories about 2 men stuck in a small house over Christmas and just how they are connected is slowly revealed. This is very, very downbeat and depressing and I think it’s brilliant.

December 22nd

It’s back, that darned Dickens descriptive. Told you I love this yarn and here’s another adaption I always watch over Christmas.

Scrooged.jpg

Directed by Richard Donner and starring Bill Murray. Scrooged is a much more comedic and contemporary take on the classic tale. Bill’s take on the Scrooge character (Frank Cross in this version) is sarcastic, bitter and still not without charm. Behind the scenes stories tell that Richard Donner and Bill Murray never got on and how the plot kept changing. Apparently Bill hated working on this film… and yet it and he are still brilliant to watch. 

December 23rd

Who’d have thought that a film about a man wanting to commit suicide would make for an all time Christmas classic film?

It's a Wonderful Life.jpg

I love Jimmy Stewart, he’s one of my all time favourite actors ever. His good looks, charm and that voice all add up to one of the most charming and charismatic people ever seen on film. It’s a Wonderful Life is a wonderful flick. Despite the fact this film has very, very little to do with Christmas, it’s still an undisputed Christmas classic and one I watch year after year after year.

Christmas Eve

There is really only one film you can watch on Christmas Eve. The greatest Christmas Eve film ever made.

Die Hard.jpg

Watching Die Hard the night before Christmas has become a decades long tradition for me now going back to Christmas of 1989 when my older brother first came home with a copy of Die Hard on VHS to watch. I must have been around 13 years old at the time and loved the film. This year will mark the 30th year running I’ve watched Die Hard on the night before Christmas and I hope to continue it for at least another 30.

Christmas Day

So it’s the main event and I’ve already included some surefire (and no so) Christmas classics. But for the grand finale, I’ve got to pull out the big guns and those lovable marionette/puppets.

The Muppet Christmas Carol

I grew up watching The Muppet Show on TV and even now as a 43 year old… I have a major soft spot for them. So when they made their version my all time favourite Christmas story, it was lighting in a bottle. I have already said how much I adore A Christmas Carol as a piece of storytelling and no matter how many times it is told and re-told year after year in it’s many different versions, I can just not get bored of it. The Muppet Christmas Carol is the best of the lot. That melding of music, humour, heart and of course, Muppets is genius. Michael Caine as Ebenezer Scrooge is the most perfect casting and the way he plays off his fuzzy co-stars and they off him is flawless. The greatest Christmas film ever made.


 

I’m a little bit late with this list as it’s now the 15th as I publish this and not the 14th when my Christmas movie watching begins. The delay is due to the fact I was in hospital on the 14th as my son was born. Yup, I became a Daddy… best Christmas present ever!

Merry Christmas

Now if you’ll excuse me, I’m a little behind with my list and have to go watch Rocky III and Batman Returns tonight. Have a good Christmas and New Year folks, see you in 2020… unless something big happens I feel I need to express an opinion on.

Die Hard Movie Retrospective

Throughout the year I’ve been celebrating 30 years since the original Die Hard was released. I’ve covered a non-existent plot-hole, taken a look at some Die Hard trivia, compared the film to the novel it was based on, looked at every Die Hard game released as well as some Die Hard rip-off movies and I have even offered my opinion on the age old query as to whether Die Hard is a Christmas movie or not. Plus I have had a few nods and references to Die Hard in numerous other articles I’ve written through 2018. Yet as this year draws to a close, there is one thing I have not yet done. I’ve not done a retrospective on the films themselves.

Well with 2018 in it’s last few days and 2019 just around the corner. I can’t really end this year long celebration of 30 years since the first film was released without taking in all the films can I? I took part in my annual tradition of watching Die Hard on Christmas Eve with a glass (or three) of Jack Daniels and I’ve watched the rest of the films between then and now to make my way through the entire franchise. So here it is, my Die Hard movie retrospective. So, come read my blog, we’ll get together, have a few laughs…

Die Hard

Die Hard

Released in mid July of 1988, directed by John McTiernan and written by Steven E. de Souza & Jeb Stuart. The film that catapulted the then relatively unknown Bruce Willis into super stardom and cemented him as one of the most recognisable action stars ever.

Die Hard tells the story of John McClane (Bruce Willis) who is an everyday cop from New York. McClane is in L.A. to meet up with his estranged wife Holly Gennero (Bonnie Bedelia) at a Christmas party held at her place of work, Nakatomi Plaza. McClane is very much a fish out of water and doesn’t mix too well with the suits of Holly’s workplace. After asking for a place to clean up, terrorists seize control of Nakatomi Plaza taking all party goers hostage along the way, all except McClane who manages to sneak away unnoticed.

The terrorists are lead by the charismatic Hans Gruber (Alan Rickman) who makes the police and FBI run through the rule book – only his intentions are not exactly what the police are anticipating. As Gruber and his men unleash their plan, McClane finds himself fighting against the odds to save to hostages, his wife and even himself as all hell breaks loose.

Die Hard is an all time classic. It is a Christmas film? Yes, for me it is… but it’s also just a great picture regardless – Christmas or not. Bruce Willis is brilliant in the role and really shut a lot of naysayers up who doubted his ability to hold a film like this back in 1988 as a leading action star. John McClane became a genuine action icon after this film and went on to appear in all the sequels too. Bonnie Bedelia playing Holly is also a joy to watch, she’s a ballsy character who takes no shit from anyone, including the leader of the terrorists himself, Hans Gruber.

Hans Gruber

Speaking of which, Gruber is quite possibly one of the greatest on screen villains ever… if not THE greatest. Alan Rickman’s performance is nothing short of pure fried gold. Gruber is charming, smart and charismatic… but then he’s also ruthless and will let nothing get in the way of his plan. He’d be just as conformable talking to you about designer suits and articles from Forbes magazine as much as he would putting a bullet between your eyes. You’re not supposed to like bad guys in films, they are called bad guys for a reason. Yet, with Gruber, you can’t help but fall in love with him a bit. This was Rickman’s first movie roll after moving to America from England and I personally do not think he ever bettered it. This is Alan Rickman at his finest on screen.

Back in 88, Die Hard blew people away. You have to bear in mind that the 80s was a decade when action films were very cookie cutter, each one being hard to distinguish from the other. You had the big, muscle bound action hero who would take on an army of bad guys with a gun that never needed reloading while the hero would emerge from the battle with nothing more than a smudge of dirt on their face. McClane was nothing like that, he was just a guy and one who had to use his brain as much as his gun – a gun that would run out of bullets. The plot of Die Hard is easy to explain and yet it’s not exactly straight forward either. There are twists and turns as McClane learns why the terrorists have crashed the Christmas party. Even when you know what is going on, there are still little bumps and surprises along the way that make you try to second guess both McClane and Gruber’s next move in this dangerous game of cat & mouse.

Die Hard – Best Scene

Die Hard is a movie chock-full of action set pieces, to pick one great action scene from several great action scenes is not easy… so my favourite scene isn’t an action one at all. Mine is one much more grounded.

Die Hard Bathroom

It’s after McClane and Gruber meet face to face for the first time, after Rickman does his best American accent to pass himself off as a Nakatomi Plaza employee, after the whole “shoot the glass” bit that leaves the barefoot McClane running over broken glass in an attempt to escape. When McClane is sitting there in the bathroom pulling shards of glass from his bloody feet. He gets on the walkie-talkie to Sgt. Al Powell (Reginald VelJohnson) who has been supporting McClane since the shit hit the fan. McClane comes to a realisation, that there’s a good chance he’s not going to make it out of this alive. So he asks Powell to find his wife (“don’t ask me how by then you’ll know how.”) and he tells Powell, to relay a message to Holly… “Tell her that, um, she’s the best thing that ever happened to a bum like me. She’s heard me say “I love you” a thousand times. She never heard me say “I’m sorry.” I want you to tell her that, Al. Tell her that John said that he was sorry.”.

That scene is heartbreaking and for an action film, you just don’t see the hero break down like that. The hero in an 80s action film never doubted he would survive, he never asks someone to find his wife to tell her he said he’s sorry in the midst of the action. This is one of the major elements I love about the film – these human moments that show McClane as an everyday guy. The acting from Willis is top-notch too. Brilliant scene.

“I wanted this to be professional, efficient, adult, cooperative. Not a lot to ask. Alas, your Mr. Takagi did not see it that way… so he won’t be joining us for the rest of his life.”

– Hans Gruber

Die Hard 2: Die Harder

Die Hard 2

The massive success of the first film meant a sequel was a given. And 1990 saw the release of Die Hard 2: Die Harder. Reuniting several of the cast but with new director at the helm with Renny Harlin.

John McClane is back and on Christmas Eve, two years to the day after the Nakatomi Plaza incident, history repeats itself. McClane arrives at Washington Dulles International Airport to pick up Holly who is flying in from L.A. At the very start, McClane’s car gets impounded by the airport police and this is just the start of his troubles. While sitting at bar, he sees two people acting very suspiciously and decides to investigate. After getting involved in a shootout in the baggage area, McClane learns that one of the men he killed is an American soldier who was apparently already killed in action years earlier. Things just do not add up.

McClane soon discovers that ex-U.S. Army Special Forces Colonel William Stuart has taken over control of the airport along with his cohorts. Stuart wants to see the release of General Ramon Esperanza, a well known drug lord and dictator into his care. As Stuart and his henchmen do their best to disrupt the airport, McClane gets to work doing what he does best, taking out the terrorists while trying to save Holly who is still in a plane circling the airport and fast running out of fuel.

Die Hard 2 Meet

Die Hard 2: Die Harder is a very solid sequel. It’s familiar and yet fresh, it keeps very much to the staples that made the first film so damn good while also mixing thing up a bit along the way. The plot twists as it progresses and things are not as black & white as they first seem. It lacks the originality the first film has… but of course it does, its a sequel – but overall, it’s a damn good watch and for me, the best sequel in the franchise.

The cast, once more are great. Of course Bruce Willis as McClane is a joy to watch as is Bonnie Bedelia as Holly who is just as ballsy as she was in the first film. Then there is William Sadler as the main villain, Colonel Stuart. He’s no Alan Rickman, no Hans Gruber but a very enjoyable performance none the less.

The film kind of lacks that claustrophobic/enclosed setting of the original with McClane having the run of an entire airport – yet things are still restrictive. I mean, it’s not as if McClane could just walk out the front door leaning his wife stranded in the air waiting for the inevitable plane crash.

Die Hard 2: Die Harder – Best Scene

Kind of similar to the first film, my favourite scene is not one of the many action set-pieces. I’ve gone for one of the more human scenes that show McClane as just a guy. It’s after the Windsor flight 144 plane crash caused by Colonel Stuart. After McClane does all he can to try to prevent it, after he walks through the wreckage and sees a child’s stuffed toy. At that moment, he doesn’t know who’s plane it is, could’ve been his wife’s.

Die Hard 2 Windsor

It then cuts to McClane sitting there in the control room of the airport a silent, broken man. Just as with the first film, he feels useless. He did all he could and yet an entire plane full of people, including children are dead. There’s no awesome and well written line of dialogue. In fact, it’s quite the opposite and very quiet with hardly a word spoken. It’s just a man realising he is just a man and no matter what he does, it may not be enough.

“Just once, I’d like a regular, normal Christmas. Eggnog, a fuckin’ Christmas tree, a little turkey. But, no. I gotta crawl around in this motherfuckin’ tin can.”

– John McClane

Die Hard with a Vengeance

Die Hard with a Vengeance

There was a five year gap between sequels this time and 1995 saw the release of the third film in the franchise. Not only did Bruce Willis come back, but director of the original flick, John McTiernan also returned. So did the reunion create a film worthy of the original?

By now McClane and Holly are separated, she’s doing well in L.A. while he is still working as a cop in New York. When we first meet McClane in the film, he’s recovering from a hangover and on suspension from the force.  This is a John McClane on the edge with nothing no lose. Enter the mysterious Simon (Jeremy Irons) who blows up a department store in New York and specifically asks for McClane to try to stop him. Simon has McClane jumping through hoops and if he does not comply, Simon will blow up another location. While following Simon’s strict instructions, McClane crosses paths with Zeus Carver (Samuel L. Jackson) an the two are dragged into the mad bomber’s dangerous game.

It’s latter revealed that Simon is the brother of Hans Gruber from the first film and it seems he is out for revenge over the death of his sibling who want’s McClane dead… or does he? As McClane and Carver are forced to run around New York stopping/defusing bombs, Gruber’s grand plan is revealed and it seems the apple does not fall far from the tree when it comes to the Grubers.

Die Hard with a Vengeance Simon

Okay, so I have a serious love/hate relationship with Die Hard with a Vengeance. Is it a good picture? Yes, it’s bloody entertaining. The flick literally opens up with an explosion and the action does not let up after that until the credits roll. The story is great and has twists and turns along the way. Is it a good Die Hard film though? Well that’s a more difficult question to answer. It’s got John McClane in it, it connects to the first film with the whole Gruber brother thing… but that’s about it really. They could have released this as a Bruce Willis flick with him playing a generic action hero and it would’ve worked either way.

The film just lacks something and I’m not really sure what that something is. There’s brilliant chemistry between Willis and Jackson, they honestly come across as a great coupling trough the film. The plot does a good job of not being too obvious and has some great twists. Irons is a fantastic bad guy and does feel like Hans Gruber’s brother.

But I think my main problem with the film is just how “convenient” everything is. In the first two flicks, you see and feel McClane having to work things out, you see the cogs in his head grind away. In this, things just happen and he just so happens to be in the right place at the right time. Gruber just so happens to plant the bomb in the same school Caver’s nephews attend (despite the fact Carver was never part of Gruber’s initial plan), McClane just so happens to find the most knowledgeable truck driver in the whole of New York who helps him solve a clue, The bit where McClane is shot out of the aqueduct via water pressure from an exploding bomb he couldn’t predict – and just so happens to be randomly shot out at the exact time and the exact place Carver just so happens to be driving past. Or what about the fact McClane’s buddy just so happened to use his badge number as lottery number picks and how one of the bad guys kills said buddy and takes his police badge to wear… then McClane just so happens to notice said police badge while in a tricky situation that clued him into the fact the guys he is with are the bad guys?

They could’ve called this one Die Hard with a Lot of Plot Convenience. There are other moments too where things just happen because the script says so and McClane has things work out very nicely for him along the way. Things like McClane having to be told who Simon really is, when I feel that is something he should have worked out for himself. Plus I feel this film marks the dumbing down, the decline of the franchise – something the next two sequel revel in.

Die Hard with a Vengeance – Best Scene

There is no genuine human moment in this film that shows McClane as the every day guy is. But perhaps my favourite scene is one where McClane is just being McClane.

Die Hard with a Vengeance Train.jpg

It’s just after the subway train crash via one of Gruber’s bombs. After Carver has the altercation with the rookie cop (“I have to answer this phone.”). All hell breaks loose as the bomb explodes, the subway train derails and swings out casing untold damage, people run for their lives as the subway car tips over onto it’s side and crashes to a halt and it looks like no one would’ve survived that. Then McClane just pulls himself out of the wreckage laughing to himself in disbelief over he fact he’s still alive. That laugh, that McClane laugh is just perfect and adds a nice light-hearted moment to an otherwise intense scene.

“Yeah, Zeus! As in, father of Apollo? Mt. Olympus? Don’t fuck with me or I’ll shove a lightning bolt up your ass? Zeus! You got a problem with that?”

– Zeus Carver

Live Free or Die Hard

Live Free or Die Hard

I was happy with just the three flicks, the previous one was okay and has it’s problems but still served as a satisfying end to the trilogy. But they just couldn’t leave it alone and McClane was brought back in 2007. This time directed by Len Wiseman.

McClane finds himself in Washington, D.C. with expert computer hacker Matt Farrell (Justin Long) in the midst of a major cyber attack headed up by Thomas Gabriel (Timothy Olyphant) and his team of cyber terrorists. Gabriel aims to hack into government and commercial computers all over the U.S. and disable the nation’s infrastructure. Of course McClane and his new sidekick stop the bad guys.

This film has it’s fans… I’m not one of them. It’s just not Die Hard. It’s a very generic action film with none of the heart or charm of the previous ones. The plot is bland, the main villain is forgettable and McClane is just not McClane. He’s no longer the everyday cop fighting against the odds, he’s become an indestructible super hero. I mean going back to my favourite scene of the first film with McClane asking Powell to find his wife and apologise – it’s a fantastic scene that shows just how “human” he is. This film has McClane going up against a F-35B Lightning II fighter jet as a freeway crumbles around him… and winning. It’s just stupid, it’s a stupid film.

Live Free or Die Hard Jet

I said about Die Hard with a Vengeance that it marked the dumbing down and the decline of the franchise – but this film takes that to a whole new level.

Live Free or Die Hard – Best Scene

The ends credits, I could not wait for this film to end. Lets move on.

A Good Day to Die Hard

A Good Day to Die Hard

Just when I thought it couldn’t get any worse… it does. So he’s back once more, this time directed by John Moore and released in 2013. Oh dear…

So now McClane is in Russia where he meets up with his estranged son Jack (Jai Courtney). the father and son team up to and find themselves entangled in a global terrorist plot… and I’m bored already.

The previous film was bad but it’s watchable – just barely. This is fucking atrocious. You can always tell when I really don’t like something as the paragraphs get shorter as I really don’t want to give the film any more attention.

A Good Day to Die Hard – Best Scene

There’s this really amazing scene near the end with McClane driving a truck out of the back of a helicopter. It’s a beautiful designed and shot scene that explores the depth and the McClane character… nah, utter bollocks. The film is shit with no best scene. Even the end credits aren’t worth it.

McClane

Old McClane

Well there’s yet more as the sixth film in the franchise is in production as I write this simply called McClane. To be directed by Len Wiseman who also directed Live Free or Die Hard. The plot isn’t fully known right now but it has been said this will be both a sequel and prequel in one film.

There will be present day scenes starring Bruce Willis playing an ageing John McClane, possibly retired? But the film will also flashback to New Year’s Eve 1979 and tell the story of young John McClane as a rookie cop in New York. Details are thin on the ground right now, there are no specific story details or even a release date yet.

To be honest, I’m not at all interested in this one. For me, the franchise died a long time ago. I have little interest in seeing an 60 year old John McClane and I have even less interest in seeing a 20-something version too. I’ll just stick to the first two films and depending on my mood, the third one. If I want to watch a young McClane, I’ll just re-watch Die Hard.


 

That’s me done for 2018 folks. Just want to say a big thanks to everyone who has been reading my scrawlings over the last 12 months. I do enjoy doing these articles and I hope you enjoy reading them.

New Year

Have a great New Years, whatever you get up to.

See you in 2019…maybe…

Not Your Usual, “Is Die Hard A Christmas Movie?” Article

Yup its that time of year again. The annual celebration we like to call Christmas is back and I bet that if you typed “is Die Hard a Christmas movie” into Google (or your choice of interwebs search engine), you’ll find dozens of articles all asking that particular question and all with differing answers. Most sites keep regurgitating the exact same article from the previous years too just with a few wording tweaks and many offer “a new poll” which, as I’ve noticed seems to switch results every year. Last year a poll said yes Die Hard is a Christmas film but this year it’s a no. It’ll be a yes again next year.

I have been writing this blog for a few years now and never bothered to offer my own insight and answer to this age old query, until now. Except I don’t want to do what everyone else does with a simple yes or no – I want to not only answer but also explain my answer.

This summer saw the 30th anniversary since Die Hard was released and I’ve been doing Die Hard based articles all year in celebration. So it only seems fitting to tackle this sticky subject as part of and to end my 30th anniversary celebrations. But before I get to my opinion and answer to the query, lets see what some people connected to the movie say…

Are They Right?

Die Hard screenwriter Steven E. de Souza already put his view across a while back and he says it is. However Bruce Willis has said its not when he was quoted during his comedy roast by saying:

“Die Hard is not a Christmas movie. It’s a god damn Bruce Willis movie!”

– Bruce Willis

Bearing in mind, that was (as mentioned) during a comedy roast. So I’m guessing Bruce was trying to be funny. Plus there is the fact he’s getting old and senile too – I mean back in 2007 he said that Live Free or Die Hard is better (at times) than the original.

“It’s at least as good if not better at times that the first film.”

– Bruce Willis

As I said, senile. So what Bruce says about the original being a Christmas movie or not is moot… seriously it’s as good as if not better than the original? Bruce needs to be put down – it would be kinder.

Now I Have A Machinegun

I suppose that is really the crux of my point, it’s opinion. When it comes to this question everyone falls into one of three categories.

  1. You have the naysayers, the ones that refuse to see Die Hard as a Christmas flick.
  2. You have the opposite, the ones who will say it is a Christmas movie every year until they die.
  3. Then you have the third group, the ones that just don’t give a fuck.

People say it’s not a Christmas film because it has nothing to do with Christmas… and they’re right from a plot point of view. Then there are those that say it is a Christmas movie because it takes place over Christmas Eve – but is that enough? For me, no, not that there’s anything ‘wrong’ with considering a film a Christmas one just due to its setting.

Now, I will come off as very hypocritical next as it’s now time for me to answer that yearly question – is Die Hard a Christmas movie? Well…

Die Hard Jumpers

Those are my Christmas jumpers for this year, what do you think my opinion is? Still, I said earlier how I don’t just want to answer but also explain my answer. And this is where the hypocrisy will come in. No, I don’t think that Die Hard being set at Christmas is enough to qualify it as a Christmas flick. I feel the same way about that other controversial choice too, Lethal Weapon. I love me some Riggs & Murtaugh and I think Lethal Weapon is a damn fine picture… but it’s not a festive flick to me despite it being set at Christmas just like Die Hard.

What Is A “Christmas Movie?”

Yet something like Batman Returns or Gremlins? Yup, I see those as Christmas films despite the fact they have little to do with the festive season other than the setting. I did pre-warn you about the hypocrisy. Die Hard gets shot down as a festive film just because it’s set at Christmas but the plot has nothing to do with the holiday… yet Home Alone is always lauded as a “Christmas classic” when it is only set at Christmas but plot-wise? What does a really annoying kid fending off two really fucking stupid burglars have to do with the Yuletide season? So what is Die Hard ignored as a Christmas flick because it has nothing to do with the season and only set in it – but others in the same boat get a free pass? You don’t see “Is Home Alone a Christmas movie?” articles year after year do you?

This line of reasoning can be applied to films that no one would argue against being a Christmas film. Take my all time favourite festive flick – It’s a Wonderful Life. Usually at near the top if not at the top of a lot of Christmas film lists…. but why? The opening of the film and the end are set in and around Xmas sure, but the majority of the story has absolutely nothing to do with the silly season at all. George Bailey thinking life would be better of he was dead is a story that could’ve been told any time of the year, not specifically Christmas. Yes it being (hardly) set at Christmas gives it a little lift, a bit more gravitas. But the core of the plot and meaning behind it – that could’ve been told in the Spring and still got the same message across right?

Its A Wonderful Life

What about the all time, undisputed classic A Christmas Carol? I love this story. No matter how many times it is told and re-told, I never get bored of it. Form the Alastair Sim starring 1951 Scrooge, the Bill Murray take from 1988 with Scrooged to the greatest version of the tale yet – The Muppet Christmas Carol from 1992. It’s a story that has been done dozens up on dozens and dozens of times from 1901 onward. Yet it’s another one that is considered a “Christmas classic” when it really has little to do with Christmas outside of it’s setting. Yeah I know what you are thinking – how dare I? But just look at the plot for a second. it’s about a miserly old man learning to be more generous and friendly. Let me put it this way, keep the same plot, same characters, ghosts everything –  only change the setting from Christmas Eve to October 31st and you have an effective Halloween film about a mean old bastard scared into being nice by ghosts of his past and even Death itself.

Seriously, What Is A Christmas Movie?

Of course there are films that are not only set at Christmas but also have a plot that is cemented in the festive season. Miracle on 34th Street as an example. It’s a film about a man trying to prove his is the real Santa Claus. It’s kind of hard to get a more Christmasy film than that. You can change the setting, but the plot is still about someone proving they are the real Santa. But what about something that features the real Santa but is hardly set at Christmas at all? I present the short film Father Christmas from 1991 based on the books by Raymond Briggs, the man behind another all time Christmas classic, The Snowman. Have you ever seen Father Christmas? (the short film not the real dude). It basically tells the story of what Santa does the rest of the year when it’s not Christmas. For those not in the know, he goes on holiday and says “bloomin'” a lot. It’s a film about Father Christmas that has little to do with Christmas itself… yet it’s a definite “Christmas classic”.

Father Christmas

And that really is my point, it’s hard to pin-down what makes a Christmas movie a Christmas movie. You can have Christmas films that have plots and characters centric to the season. There are ones that are only set at Christmas but from a plot point of view have nothing to do with the holiday. Then there are some that feature Christmas characters at the centre, but story/plot wise have little to do with Noël. So where does Die Hard fit into all of this? I said earlier how I don’t consider Die Hard a Christmas movie just because it’s set at Christmas. Yet I do see it as a Christmas flick none the less… and so this is where the explanation comes in.

This Is What A Christmas Movie is…

Back to the Future, The Wizard of Oz, Raiders of the Lost Ark and Rocky III. So what do all those films have in common? Well they’re all Christmas flicks. Maybe I should clarify, they are all Christmas films to me specifically. See here in England in the 80s when I grew up, we only had four T.V. channels at the time and these channels would always battle year after year to get the big films shown over Christmas, sometimes it would be a T.V. premier too. It was a wondrous time of year for the young film-fan me as I got to watch plenty of flicks. I’d probably watch more films over the 2 week Christmas holiday from school than I would the rest of the year. A lot of first time views of these films for me comes from Christmas and so they go on to be forever associated with Christmas to me personally, despite their settings, plots or characters. Then there is the other thing I connect Christmas to – family. I still remember and miss those family gatherings every year. Let me take one film from those above as an example with Rocky III and continue my explanation.

The film itself has nothing to do with Christmas I know. Yet the first time I saw Rocky III was on T.V. in the 80s over Christmas (I think 86?). I still remember the day vividly. Nan and Granddad came over on Christmas Eve and stayed with us. We opened our presents in the morning and I got an X-Wing, toy not a real one. We’d had a huge traditional dinner around 1 PM before The Queen’s Christmas Message came on the telly at 3 as Nan would never miss that. Me and my brothers got to play with our new gifts for a while before we had to tidy up. And then later that evening, Granddad snored away in his favourite armchair, sleeping off that huge dinner as the big film, Rocky III came on T.V. I sat on the sofa next to Nan and she put her arm around a 10 year old me and we both sat there watching Sylvester Stallone punch the crap out of Mr. T.

Rocky III

Whenever I watch Rocky III even now it reminds me of that Christmas Day and so is, for me, a Christmas film. it has nothing to do with Christmas, no Christmas characters, story or plot and not even a hint of a Christmas setting. Yet it will always be a Christmas movie because of that memory.

Same goes for Die Hard (finally), I don’t consider Die Hard a Christmas film because it’s set at Christmas, it helps I admit – but it’s not the reason it’s a Christmas flick to me. The reason is because I first saw it over Christmas. I was way too young in 1988 to go to the cinema to watch Die Hard. But when it was released on VHS, I remember my older brother Rob coming home one day with a copy and we watched it together a few days before Christmas. From that day in 1989 to this, I always watch Die Hard on Christmas Eve as a tradition. Now I’m an adult, I pour myself a large glass of Jack Daniels, plonk myself into a nice & comfy leather armchair, then sit back and relax as Bruce Willis shoots terrorists (who said they were terrorists?) in a skyscraper. I’m not satisfied until Hans Gruber falls from Nakatomi Plaza. And I’ll be doing the same this Christmas Eve too 29 years after that very first time.

Hans Gruber falling

That is what a Christmas film is. It doesn’t have to have a Christmas theme or plot or characters, nor does it need to be set at Christmas either. A Christmas flick is one you watch over Christmas because it gets you in the mood, it sparks off a festive memory, a film you watch because it’s Christmas not because it’s a Christmas film.

Is Die Hard a Christmas movie? For me, yes and it’s up there with the likes of Back to the Future, The Wizard of Oz, Raiders of the Lost Ark and of course Rocky III.

John McClane Christmas

Have a good Christmas folks. Oh and yippee-ki-yay mother fuckers.

Good And Bad Die Hard Rip-Offs

When it was released in 1988 (happy 30th), Die Hard was a revelation in action films. It took a lot of the clichés most other action films were guilty of overusing and turned them on their head. Die Hard blew film-goers away and can still hold it’s own against other actions films released now. It became as massive success and went in to spawn a huge franchise in it’s own right, not just with movies – the sixth of which (called McClane) is in production as I write this. But there were Die Hard games, comic books and all sorts of memorabilia. And I’ve been celebrating three decades of Die Hard all this year with numerous articles covering the film. 

Die Hard Art
Credit to Chris Weston over at Xombiedirge.com for this amazing fan-art.

The staggering success of Die Hard gave birth to an often used motif in action cinema, the Die Hard rip-off. For years and still even today, whenever an action film is released that features a usually lone hero going up against bad guys and normally in a confined setting, it gets lumbered with the “Die Hard on/in/at a…” label. So in no particular order or preference, here are some good and bad Die Hard rip-offs. 

Skyscraper – (A.K.A Die Hard In A Skyscraper)

Skyscraper

No, not the recent Dwayne Johnson flick of the same name, this is the 1996 Skyscraper  that took the idea of Die Hard and set it in a skyscraper… like Die Hard. Implementing the now often overused idea of the gender swap and making the hero and heroine. Starring cough “actress” Anna Nicole Smith and swapping the human and everyday main with a heart characteristics of John McClane with big tits.

Anna Nicole Smith plays Carrie Wink, a helicopter pilot who finds herself caught up in a plot involving terrorists and something to do with electronic devices… I’m not 100% sure what the plot is about to be honest or of there really is one. I’m pretty sure this film only exists to show-off Ms Smith’s breasts, at least they are the only two things I remember about the film anyway.

This is bad, this is really, really bad. But I guess Anna Nicole Smith was nice to look at.

Sudden Death – (A.K.A Die Hard At A Sports Stadium)

Sudden Death

This Jean-Claude Van Damme starring flick came out in 1995 and has “The Muscles From Brussels” taking on bad guys till Sudden Death. Released when Van Damme as at the top of his game and making a name for himself as a bankable action hero.

Set in a hockey arena, Van Damme plays fire marshal Darren McCord (its almost McClane) who attends a big hockey game with his son and daughter. While at the game, a group of terrorists arrive and hold various V.I.Ps  hostage in a luxury suite. McCord steps up to save the day and the lives of his children as the terrorists plan on blowing up the stadium when the hockey game ends unless their demands are met. 

To be honest, this one is half decent. I do love some JCVD and while this is far from his best, it’s also far from his worst. Plus you get to see JCVD kick a penguin.

Passenger 57 – (A.K.A Die Hard On A Plane)

Passenger 57

From 1992 comes this high octane and cliché ridden (such as using phrases like “high octane” to describe and action film set on a plane) picture with Wesley Snipes. At the time Snipes wasn’t really known for action flicks but soon became an action star after this one… a bit like Bruce Willis with Die Hard really. 

John McClane… sorry, John Cutter played by Snipes is a retired United States Secret Service agent who now teaches self defence to flight attendants. While struggling to come to terms with the death of his wife during a botched robbery, Cutter is offered a new job as the vice president of a new anti-terrorism unit. Cutter is the 57th passenger on a flight to Los Angeles (where was Die Hard set again?) to attend a meeting regarding his new job. Oh and on the same flight is psychopathic terrorist Charles Rane being escorted by two FBI agents. Shortly after take off, things go wrong when Rane and his cohorts take control of the plane leaving Cutter to save the day.

Snipes is a good action star and this was his first proper stab at the genre. The plot is very predicable but it’s a good film overall. Always bet on the one that isn’t red.

Air Force One – (A.K.A Die Hard On A Plane)

Air Force One

Yes even the Die Hard rip-off begin to rip-off the rip-offs eventually. This one is from 1997 and stars the legend that is Harrison Ford. An impressive all star cast join Ford in this high octane (sorry) action flick set in on the most famous plane in the world.

So Ford plays U.S. President James Marshall (J.M, John McClane?) who after attending a diplomatic dinner in Moscow, boards Air Force One to return to America. Only for Russian terrorists posing as the press to seize control of the plane and take hostages. Marshall is rushed to an escape pod for his own safety… only he never leaves and stays on-board to save the lives of his wife and child along with the other hostages.

So you’ve got Harrison Ford, a legendary action hero – going up against Gary Oldman, a legendary bad guy. Ford mumbles his way through the film as Oldman chews the scenery like he’s not eaten in a month… and it’s glorious.

Con Air – (A.K.A Die Hard On A Plane)

Con Air

Okay so now the rip-offs are ripping off the rip-offs that are ripping off the rip-offs… I think. Also from 1997 comes this other high octane (last one I promise) plane based action film. With Nicolas Cage in the main role.

Cage is Cameron Poe, an Army Ranger who’s honourably discharged after killing a man who tired to attack his pregnant wife. Poe serves ten years in prison but is paroled two years early. He has to take his final trip home to reunite with his wife and see his daughter for the first time, as a prisoner aboard The Jailbird – a flying prison transport along with several other prisoners being transported to other jails. Of of course the bad guys take control of the plane leaving Poe to clean up the mess.

Of all the Die Hard on a plane rip-offs (there’s a lot of them), this is my favourite. Cage is brilliant as the hero with a heart plus you have John Malkovich playing the main villain. 

Under Siege – (A.K.A Die Hard On A Boat)

Under Siege

“I’m just a cook”, Steven Seagal liked to tell people back in 1992 as he continually punched people in the face on board a Navy battleship in Under Siege. At least it made a change from a plane right?

So Seagal plays Casey Ryback, he’s just a cook (honest) on board the USS Missouri. A musical band land on the battleship to entertain the troops… only they turn out to be a band of mercenaries who take control of the ship. As it turns out, Ryback is a little more than just the cook (he lied) as he’s a highly trained and experienced Navy SEAL who specialises in anti-terrorism tactics. So of course he kills the bad guys, gets the girl and saves the day. Not bad for a cook.

Perhaps one of the most famous rip-offs when people knew who Steven Seagal was. Again an enjoyable romp, nowt too special but fun… just avoid the terrible sequel.

No Contest – (A.K.A Die Hard At A Beauty Pageant)

No Contest

Yeah you read that right. Just think of all the locales already mentioned and where one could set a Die Hard rip-off… would you think a beauty contest would work? This one is from 1995 and stars very soft porn actress Shannon Tweed… she’s married to Gene Simmons you know?

Yeah this is as bad as it sounds. Tweed plays kick-boxer/actress Sharon Bell who while at A Miss Galaxy beauty pageant, fends off a gang who take hostages. The gang demand diamonds as a ransom or they’ll… zzzzzzzzzzzzzzzzzzzz… Sorry dozed off for a while there. Oh errrrr, Robert (“Agent Johnson, no the other one”) Davi from Die Hard is in it.

This is fucking atrocious, I mean – this is Die Hard 4 & 5 levels of bad. Even worse, they made a sequel… don’t look it up.

Icebreaker – (A.K.A Die Hard At A Ski Resort)

Icebreaker.png

It’s time to hit the piste as Sean Astin plays Matt Foster – the cough “hero”. Released in 2000 a year before people would finally recognise Sean Austin as a Hobbit.

So everything is going great at the Killington ski resort. Foster, one of the resort’s Ski Patrol is seen as a bum by his soon to be father-in-law. Enter terrorist Carl Greig who takes control of the ski resort/. The plot has something to do with radio active material stolen from Russia or something. I really lost interest in this one, can’t really remember the plot if I’m honest. But whatever happened in the plot, Foster gets the chance to impress his fiancé’s father when he saves the day.

Dull film with a bland plot. Still, Bruce Campbell plays the main bad guy and that’s the only good thing about the film.

Speed – (A.K.A Die Hard On A Bus)

Speed

Very few of these Die Hard rip-offs are any good. Some of them are terrible, most of them are okay and a handful of them are fantastic. Speed is definitely one of the greats. Released in 1994 when the Die Hard rip-off still felt fresh and starring John Wick, sorry Keanu Reeves.

Reeves plays Jack Traven a young SWAT officer who finds himself trapped on a bus armed with a bomb after he thwarted a previous attempt to extort money via the use of a bomb by madman Howard Payne. When the bus hits 50 MPH, the bomb is armed and if it drops below 50, it blows up killing all on board. Pop quiz, hotshot. What do you do? Traven teams up with plucky bus driver, Annie to save the hostages on board the bus as well as themselves.

The chemistry between Keanu Reeves’ Jack Traven and Sandra Bullock as Annie is wonderful. The action is exiting and well directed. Plus you have legendary Dennis Hopper playing the mad bomber. When it comes to Die Hard rip-off, they don’t get better than this… the sequel though?

Command Performance – (A.K.A Die Hard At A Live Gig)

Command Performace

From 2009 comes this written by, directed by and starring Dolph Lundgren flick. The film is said to be (very loosely) based on a true story where Madonna performed a special live gig for Vladimir Putin… only with a large sprinkling of fantasy.

So the Russian President asks pop sensation Venus (Madonna/Venus, get it?) to perform an exclusive gig as his daughters are big fans. Lundgren plays Joe, an ex-biker, turned drummer who has to save the day when terrorists turn up at the concert and take the President, along with others as hostages. Joe teams up with young Russian agent Mikhail Kapista to kill the bad guys and save the hostages.

Dolph Lundgren is a drummer in real life and I’m pretty sure the only reason this film exists is so Lundgren can show people he can really drum… and do it well too. Just a shame the film isn’t as good as his drumming. This is one of those very mundane Die Hard rip-offs. It’s not terrible, its far from great – it just kind of is.


 

Well there you have it, a few good, and more than a few bad Die Hard rip-offs. Trust me, there’s a lot more out there – I’ve only just touched on a handful of the more famous ones as well as highlight some of the not so famous ones… Die Hard at a beauty pageant, seriously?

Die Hard Art Feet
More stunning fan-art from Chris Weston at Xombiedirge.com

Next up in my celebration of 30 years of Die Hard, I’m tackling the big one, a subject I’ve avoided for a long time. It’s December so it just seems right that I offer my own opinion on that yearly debate and eternal question that is, is Die Hard a Christmas movie?