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Avengers: Endgame, My Thoughts, Very Light Spoilers

So I got to see the epic finale to eleven years and twenty two films in the making and just wanted to offer my thoughts on Avengers: Endgame.

Now, I will be treading into SPOILER territory here. However – I’m going to tread lightly and avoid specifics. I’m not even using any pictures in this article just incase something accidentally slips in. I will highlight plot points including the ending but won’t go into exact detail on those points. So from this moment on, if you don’t mind knowing some of the basics then read on. But if you want to go into the film 100% blind then skip this article. Again, very light SPOILERS ahead…

I guess the first thing to bring up is my previous concern about time travel. Yes time travel does play a major role in the film… but it’s actually handled far better than I thought it would be. It was pretty clear that they’d have to go back in time to fix the fact Thanos killed 50% of the population of the universe, including a big chunk of the heroes. I really didn’t want them to get lazy and just hit the reset button… and they don’t.

The rules of the time travel are very clever in that you can’t just go into the past to change the present, nothing can change the present. If it’s happened then its happened. So going back and stopping Thanos would be pointless as he’s always going to collect the stones and gauntlet and always click his fingers. Again, I’m going to avoid specifics but let me just say that my biggest fear of them just going back in time and hitting the reset button does not happen even though they do go back in time.

I guess next I need to cover the return of all those who died in Avengers: Infinity War via Thanos’ click finger thing. We all knew even back then they would be coming back, of course they would… and they do. You don’t kill off Spider-Man after only a few appearances and expect the audience to believe it will be permanent – especially when you already have another Spider-Man film in the works. I’m not going to cover exactly how it happens, but just point out how well I feel they handled the return. See, my biggest worry aside from hitting the rest button (which they don’t do) was that I was concerned with how the characters would react after coming back from the dead as I didn’t want them just coming back not knowing of feeling the effects of what Thanos did.

This again is handled well. The best example given is when Peter Parker comes back and sees Tony Stark. Peter even says how he remembers everything, how he was turned to dust. He remembers dying. Which is very important for the character moving forward he and the rest have to know they failed to feel the effects in order to grow as characters.

Speaking if death, yes there are two major deaths in the movie. You have to remember there’s no coming back from these deaths either. I’m not going to say who dies or how but will just say how they worked in the film. The first was unexpected I admit… but also a bit dry. I just didn’t feel any great loss when it happened. I was just like; “Okay, so they’re dead then.” The second one is the polar opposite. I pretty much saw this death coming even going back to Infinity War. All through this film, I felt it was obvious this character would be killed off. Yet even with me knowing it would happen, I didn’t know how and when it did – it really worked. It’s an effective death and one that has been earned.

Okay so there was technically a third “death” in a sense. This one happens in the final few minutes of the film. I’m not sure how best to cover this without spoiling it. A major character dies, but the person behind that character does not… if that makes sense. It’s a very bitter-sweet end to both the character and the film. Fitting and satisfying. For me, my favourite part of the film was the final five minutes or so.

Let’s just get away from the more heavier moments for a whole and cover the humour. The film is as funny as it is emotionally draining. This is something Marvel films have always excelled at and Endgame is no exception. There are some really tense and suspenseful. Scenes of utter devastation and despair. And yet the film is still chock-full of funny quips and scenes. Hulk being a great source of the humour. From him messing around and experimenting with the time travel to him having to walk down some stairs… trust me it’s funner than it sounds.

Then there’s Thor. Oh my, what they do to Thor in this is hilarious. That’s something most definitely best not to spoil even in the slightest. It’s a funny, funny film and it’s not overused humour or in anyway misplaced. The humour is peppered though the film and just works.

If I have any criticisms then they’re only a couple. I don’t see the point in Captain Marvel as a character here. She really does seem like an afterthought and just shoehorned in because… why not? She doesn’t feel all that important to the film or the team. When you have characters like Iron Man, Captain America, Thor and the others who have been around for years and have worked off each other for the last decade or so. You feel their kinship the camaraderie between them. With Captain Marvel, she’s just too new to fit for me. Her debut movie only came out a month or so before this and yet she’s supposed to just slide into this epic finale as if she’s always been a part of it? She just turns up when it’s convenient for the plot. She just did not work for me and perhaps should’ve been saved for Marvel’s next phase and to kick-start a new ongoing epic. I’m pretty sure this film could’ve worked just as well without her.

Am I the only person utterly bored of these huge, epic battles? I realised how disinterested I am in these dozens upon dozens of CGI character orgies when I watched Ready Player One. Aside from playing spot the 80s icon… which was fun, I was just so tired of seeing the mass-mess of characters smashing people in the face. It’s tired now, dozens upon dozens of people stand at opposite ends of the battlefield, they stare at each other before letting out a war cry and run toward each other – screaming all the way, until they smash togther in a CGI rumble.

Of course I knew going in that the film would have to climax in a CGI-fest mass brawl. It’s not as if I thought The Avengers would just shake Thanos’ hand and call a truce. But it does not matter how many times filmmakers do these Lord of The Rings CGI battles, I just do not care for them. There are a few smaller and more personal fights that I found far more entertaining and interesting to watch – one featuring Captain America springs to mind. I’d be quite happy to never sit though another epic CGI battle ever again.

I’m also willing to bet that on repeat viewings that they’ll be problems with the time travel. There always are with time travel movies. In fact I can already think of a couple of issues.

Overall, Avengers: Endgame is a satisfying finale to an epic story line that has taken over a decade to be told. It’s a finale that isn’t that final and more so the start of a new beginning. I’m looking forward to what Marvel have planned from this point onward and how the aftermath from Endgame will surely feed into the up coming Spider-Man: Far From Home which should bridge the gap bewteen the end of this Thanos storyline as a new one begins.

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Ready To Feel Ancient? The Matrix Is Twenty Years Old

Originally released on the 31st of March way back in the space year of 1999. The Matrix was the brainchild of Andy and Larry Wachowski the then Wachowski brothers… that’s a whole other article in itself. The Matrix changed cinema for years with it’s groundbreaking effects work. But it was not a film that was all looks an no substance, The Matrix is a flick that can be as simple or as complex as you want it to be. Just watch it as a kick-ass action romp and enjoy it on that level – or delve into its more philosophical elements and how it questions reality and existence.

I still remember the day I went to the cinema to watch the film. You have to bear in mind that we are talking about a film made by relatively unknowns. This was only the Wachowski brothers (yes I know, but at the time they were brothers) second film after the taught and incredibly sexy and stylish thriller Bound from 1996. Bound was very much an underground hit. It had it’s fans (I’m one) but it was hardly Hollywood blockbuster material – so expectations were low for The Matrix. Then there were the stars like Laurence Fishburne who now is instantly recognisable, but back in 1999? He was known as that guy from the Tina Turner biopic or Max from A Nightmare on Elm Street 3: Dream Warriors. Carrie-Anne Moss, aside from some bit-parts in T.V. shows, she was unknown and The Matrix was her big breakthrough. Hugo Weaving was perhaps even more unknown than anyone else in the main cast unless you were Australian. Joe Pantoliano had already had a steady acting carer by the time 1999 came around mainly playing bit-parts and character roles. He starred in the previously mentioned Bound… and that’s about all he would’ve been known for back then unless you were a die hard Goonies fan.

Plus it was a time when the internet was still till in its infancy, we didn’t have super-fast fibre optic broadband to watch trailers with, no social networks to spread the word, no smartphones to catch up on movie news on the go… it was a very different time.

The Matrix Cast

Oh and there was some guy by the name of Keanu Reeves. Yeah a household name now but not back in 1999, he was really only known for comedy rolls like the Bill & Ted films and small indie films. I guess the action flick Speed could be seen as his foot in the door of action cinema but he was still hardly known as an action film star afterwards in the same way he is today. It’s not as if Speed was to Keanu what Die Hard was to Bruce Willis. So really with The Matrix you had writer/directors not really know for anything with a cast of actors no one really cared about. It was not an easy film to see any merit in.

So yeah, quite honestly I had zero interest in the film. My brother called me up and asked if I wanted to go to the cinema – I had nothing going on so said yes. Didn’t see any trailers, paid no attention to who was in the film or who made it. Had no idea what I was going to watch just went along because I was bored and had nothing else to do. I went into the film 100% blind. But when I came out of that cinema? The first thought that went though my head was that must have been what it was like to have seen Star Wars at the cinema for the first time back in 1977. I felt that The Matrix was a game changer as if cinema had just taken several jumps forward not just in terms of effects work but also storytelling. I just knew then and there that The Matrix was something special, that people would still be talking about it decades later… twenty years later and here I am.

The Matrix Pills

But the big question is, two decades later, does The Matrix hold up? We live in an age where films date quickly. I’ve certainly seen films in the last decade or so that feel old only months after release. Yet some films are timeless no matter when they were made – The Matrix is one of them. Aside from some of the questionable technobabble and dated references/technology (remember when everyone wanted one of those Nokia flick phones?). The effects are still impressive, bullet time may not hold the impact it did when you first saw it, but it still looks good and just as satisfying as ever. The fight sequences are as exciting as they were back in 1999. Shoot outs are heart-pumping, that lobby scene is still one of the best shoot outs ever caught on film. As an action picture, The Matrix delivers. But it’s not just the impressive action sequences and still amazing effects work that hold up after twenty years. It’s the writing, the storytelling. It’s when you really get into the deeper aspects of The Matrix when the film comes to life.

The basic of good vs evil, human vs machine is nothing special I admit and yes the whole fulfilling a prophecy, being ‘the One’ shtick got tiresome. The love thing between Neo and Trinity was trite. Yet it’s the questioning reality, self-existence and everything that comes with it where the story excels. The multi-layered and textured story telling is fascinating and I love getting lost in the questioning of reality, the two worlds shown in the film – the simulation that is The Matrix and the real world of a desolate future where humans are dying out compliment each other perfectly. When Joe Pantoliano’s Cypher wants out of the real world by betraying his crew mates and when he is offered to be reinserted into The Matrix with a whole new life. The line “ignorance is bliss” he says speaks volumes. Seriously, given the choice of living in on a dead planet being hunted by machines, fighting a war that seemingly has no end or living in ignorance inside The Matrix is a tough call. I can’t be the only person who has often wondered if there is something better out there, something other than the life we believe is all we have?

The Matrix Gun

I’m going off on bit of a tangent here, but I quite honestly could write lengthy articles just on how deep The Matrix goes.  I don’t mean to get into questioning one’s own existence but just to look back at The Matrix after two decades and see if it still holds up. It does, very much so. Having just re-watched the film for the first time in a good few years – I still found it thoroughly entertaining. As I said earlier, it’s a film you can watch on so many levels. Yes it’s a great action flick, but it also asks and addresses much deeper themes and ideas if you really look beyond what is shown on the screen.

I’m not a fan of DVD commentaries, I find it’s usually full of nothing but overpaid people inflating their own egos by making themselves sound like cinematic geniuses. But the commentary for The Matrix is very different and highly unique. Instead of having the Wachowskis harp on about how creative and insightful they are, they decided not to do the commentary themselves. Instead what you get are two commentary tracks. One is from two film critics that didn’t like the film, while the other is from two philosophers who did. The two commentary tracks are amazingly interesting and show how one can perceive the film from two very different standpoints. The critics are negative but bring up several interesting flaws (some stupid ones too). While the philosophers, understandably get deeper into the subtleties of the story. Their polar opposite views really are interesting to hear and yet they really work together. Well worth checking out. I came out with a very different view of The Matrix after listening to the two commentary tracks.

The Matrix Kung Fu.gif

The Matrix is my generation’s Star Wars. Even two decades since it’s release, there just hasn’t been anything like it… plenty of imitators that have tired to delve into the depth The Matrix offers, countless flicks doing similar/same effects work – and yet none of them have managed to capture what made The Matrix so special, not even it’s own sequels and spin-offs.

It’s a film that is still talked about twenty years after it’s release and will probably still be talked about in another twenty, and still relevant in today’s cinema. Even films coming out soon like to throw in a The Matrix reference now and then, it seems even Keanu Reeves himself can’t escape them…

 

“Unfortunately, no one can be told what The Matrix is. You’ll have to see it for yourself.”

 

– Morpheus

Will Avengers: Endgame Do A Bobby Ewing?

SPOILERS ahead for Avengers: Infinity War.

It’s been a long time coming. What Marvel Studios have crafted with their shared universe is nothing short of genius. Whether you like the films or not, you can’t help but admire the sheer amount of planning, writing and overall work put into it. From separate flicks to interconnected ones and sequels. Films from so many different writers and directors all coming together to form one huge multi-layered universe. In short, it’s really bloody impressive. And everything has been leading up to to this one movie – Avengers: Endgame will see the resolve to the whole Infinity Stones/Thanos story arch that begun a decade ago and after last year’s Avengers: Infinity War which left many people with their jaws on the floor –  shit needs sorting out.

Infinity War Thanos

A lot of characters died in the last film… a lot. Some of them a shock, some of them no so much when you already know Marvel have planned films in advance… I’m looking at you Spider-Man. Still, the ending to Avengers: Infinity War has left a lot of fans theorising over exactly how the whole Thanos killing half the population of the entire universe is going to be resolved and how the many dead characters will return. And it’s one the most popular theories that is leaving me worried about Avengers: Endgame.

See this theory (click here for a full explanation) revolves around how and why Peter Parker is wearing the normal Spider-Man suit in the Spider-Man: Far From Home trailer when the film is set after the events of Avengers: Infinity War and Endgame. Because Tony Stark gave Peter the Iron Spider suit which is far more advanced… so why isn’t Peter wearing the better suit?

Well the theory goes that what is left of the Avengers will somehow reverse time (possibly something to do with the Quantum Realm/Ant-Man and Captain Marvel) to an earlier point and stop Thanos or at least stop him from collecting the Gauntlet/Infinity Stones to begin with. No Thanos means no Infinity Gauntlet, no Infinity Stones, no clicky finger thing = no 50% of the universe are wiped out. Which also means Stark never needs to give Parker the Iron Spider suit… ergo, that’s why he does not have it in the new Spider-Man film. That’s the theory anyway.

Infinity War Iron Spider

You want to hear my theory? Well Peter Parker goes on an international school trip in Spider-Man: Far From Home, an international trip that involves going on an aeroplane. Which also means going though airports and airport security. Now, which do you think would be the easier of the suits to get through airport security? The normal Spider-Man suit or the Iron Spider one? Another theory could be he does have the Iron Spider suit, but you just don’t see it in the trailer but it will be in the film. 

Of course there is one thing my theory does not explain… how the fuck is Peter Parker alive anyway when he most definitely was turned to dust by Thanos’ clicky finger thing? See this is where the turning back time thing holds some water. Again, Spider-Man: Far From Home takes place AFTER the events of Avengers: Infinity War and Endgame and Spider-Man be dead at the end of Infinity War, but now he’s alive after these events?

Infinity War I dont feel so good

So let’s just say that yes they do turn back time and yes they do stop Thanos from collecting the Infinity Gauntlet/Stones (theory). So now everyone that died in Avengers: Infinity War can come back from the dead for (some of) Avengers: Endgame and subsequent films. I have a major issue with this because its lazy just writing. You can’t just hit the reset button after ten years of building to this entire event. All these flicks, all these characters, all these interweaving stories and plots… and they are just going to Booby Ewing it? Everything has been simmering away for a decade to reach this boiling point while Marvel have been carefully pre-planning each and every movie years in advance… only to say: “You know that whole Thanos murdering half of the population of the universe thing? Well it didn’t happen, in fact a lot of the events you have been emotionally invested in the last ten years didn’t happen… okay so technically they did but now we’re going to delete it so they didn’t.”

No, just no. You can’t do that to people who have invested hours up on hours into your movies – not to mention the cash fans have spent supporting this story line. It would be such a slap in the face if (IF) the time travel/stopping Thanos thing was the plot for Avengers: Endgame. Not just for the fans either as it’ll be cheating the characters in the film if they don’t have to deal with the repercussions of everything that happened in Avengers: Infinity War. Again, this is just a fan theory, maybe there will be no time travel at all? I hope not.

Still, I guess we’ll find out in a little over a month’s time when the film is released…

Bobby Ewing

 

 

 

 

 

Leaving Neverland… Controversial?

I’m a bit of a Michael Jackson fan, I’m not one of those die hard, won’t listen to reason, he definitely didn’t do it types. In all honesty, I’m more inclined to believe he was a paedophile than not believe it. However, I don’t have any strong feelings or opinions either way. There’s too much time past to actually prove anything and I don’t think anyone will ever know the truth. But let’s just say that (for the sake of argument) it was 100% proven that he did sexually abuse children… I wouldn’t be surprised. That’s pretty much my stance on the whole thing.

MJ Bad

I grew up listening to his music and in my opinion, Bad was his last great album. After that, I think he lost his way musically and that’s when I lost interest in him, he got too ‘preachy’ in his music after Bad. So when the first wave of allegations came around in 1993 – I just didn’t really care that much and I’ve showed little interest since then with any other allegations made after those first ones.

Which brings me to this documentary that’s dividing opinions. Some say this documentary is full of shit, others think it’s a damning indictment that proves MJ’s guilt. Honestly, I really had no desire to watch it. As I said, I lost interest a long time ago. But watch it I have, we’ll the first half anyway. I didn’t watch it to form an opinion on the subject, I watched it due to the backlash that had come about due to its existence…

So far radio stations are refusing to play MJ’s music. The Simpsons producers have pulled the episode he featured in. The Children’s Museum of Indianapolis has removed all of it’s MJ memorabilia. Louis Vuitton has removed it’s MJ themed clothing from sale. As for MJ’s family/estate themselves… well let’s just say they’re not impressed. It seems this documentary has ruffled a lot of feathers. That’s why I watched because I’m trying to understand the effect the documentary is having. I mean, for big name brands pulling support and radio stations not playing his music and so on… there’s got to be something in the documentary that’s pretty concrete at proving MJ’s guilt… right?

So yeah, I went into this pretty much sitting on the fence. But maybe just leaning slightly in the he’s guilty camp, but as I said before – I don’t really have any strong feelings one way or the other.

Just a quick catch-up. Leaving Neverland is a four hour, two part documentary where Wade Robson and James Safechuck claim MJ sexually abused them when they were kids. They sit there telling their stories to the camera inter-cut with home video footage of these now grown men as kids along with MJ concert footage, etc.

Leaving Neverland Accusers

That’s all the documentary really is, just two grown men telling a story. Sometimes the families of the accusers chip in with a few comments, but it’s mainly just Wade Robson and James Safechuck telling of their relationships with MJ and how he sexually abused them over the years. This is where I have a big problem with this documentary as that’s it… just two guys telling a story. There’s zero evidence, zero proof of anything and just a case of ‘He Said, She Said’. The way both of them talk just feels disingenuous, it’s like they are reading off a script and not from the heart, as if they’ve practised and rehearsed each and every word and what you are watching is the best take of the day. Now I’m not saying that these guys and their families are lying… just that it feels ‘off’ and lacks genuine emotion.

As I said, this is a four hour, two part documentary split into two separate two hour parts and the first time any sexual abuse comes to light is around 40 minutes into the first part when James Safechuck claims MJ introduced him to masturbation. Then he goes on this soliloquy of quite unconvincing claims of various times he was sexually abused by MJ. There’s a part where Safechuck just lists rooms in the Neverland ranch and says “we had sex there” after each one. It all comes across as just being very “scripted”. I watch a few documentaries covering all sorts of subjects and I note how people often break down when they recount events from their past that have traumatised them. Here, there’s none of that. It’s really just two guys telling a story. A very emotionless and banal story. It’s a documentary with a lot of filler and not real meat to the stories being told. No need for this to be two hours long when what is told could’ve been told in 30-40 minutes.

The end of the first part just boils down to how Wade Robson became jealous when MJ befriended Macaulay Culkin (who for the record has always said MJ never abused him). That’s what this documentary comes across as, two now grown men jealous that MJ found other friends when they were kids.

If I went into this having no strong opinion but leaning more toward believing that MJ was guilty, then after watching this documentary… I not convinced of anything – innocence or guilt. Leaving Neverland has done nothing to sway me. This is why I’m not understanding the backlash the documentary is having. I don’t get why The Simpsons have pulled the MJ episode or why radio stations refuse to play his music and so on. Why are MJ’s family getting so upset when the documentary is so unconvincing? Because there is nothing here but hearsay. It’s a bad documentary that does nothing (in my eyes) to prove anything.

MJ Simpsons

As I said, I’ve only watched the first part. Maybe the real damning evidence is in the second part? Maybe that is where the meat and reasoning for this whole backlash, for the pulling of The Simpsons episode and everything else lies? The first part is two hours of sheer boredom and unconvincing stories and I just can not fathom the fallout the documentary is creating.

I’m going to watch the second part now and see if that can change my mind and help me understand why this documentary is so controversial.

Dick Miller, One Of Hollywood’s Greatest Character Actors.

I don’t have time to do a full and detailed look at the life of the recently deceased Dick Miller as I’m fully immersed in writing my novel right now. But I just had to do this, a quick remembrance from me to one of my all time favourite character actors who recently died aged 90. So I apologise in advance for the lack of material in this one, Mr Miller deserves so much better.

Dick Miller Young.png

Many people may not recognise the name, but the face is a different matter. Everyone has seen a film with Dick Miller in it… everyone. He started his career back in the 1950s with low budget horror flicks like It Conquered the World, Not of This Earth and A Bucket of Blood directed by schlock master Roger Corman. Dick also appeared in the original film version of The Little Shop of Horrors as well as turning up in The Dirty Dozen in the 60s. His career has spanned from the 1950s right up to 2018. He never really made a leading man but would always pop up in smaller roles in some of my most favourite moves ever, The Terminator, Gremlins – he even turned up in Quentin Tarantino’s Pulp Fiction. He would often play a character called Walter Paisley or same variation of the name, which started back in the Roger Corman days.

dickmillerterminator

Outside of his move career, Dick also had a good few strong T.V. appearances. Shows like The Flash (original version not the new one), Tales From The Crypt, Eerie – Indiana, Fame and Star Trek: The Next Generation to name just a few. As well as doing voice acting in animated movies, T.V. shows and even video games. He was a very busy man.

Dick Miller was one of the most recognisable faces in movies and T.V. even if the name didn’t ring a bell. He will be sadly missed. Dick passed away on 30th of January, 2019 aged 90.

It’s funny, looking at a picture that’s 50 years old and seeing that it hasn’t lost any of the… what’s the word? Magic, they had magic. They were cheap. They were inexpensive to make, but they’ve held up for 50 years.

– Dick Miller

Black Mirror: Bandersnatch

So I fucking love the T.V. show Black Mirror, I even did a write up of every episode from the first four seasons. A quick synopsis for those who do not know what Black Mirror is.

The show is an anthology T.V. series that uses technology as it’s backbone. Each episode is self contained and yet they all take place in one unique shared universe. These are dark and depressing tales often with a sting in the tail. Black Mirror is the brainchild of acerbic and satirical writer, Charlie Brooker. If you like miserable and dreary stories – then Black Mirror is perfect for you.

Season five is set to be released late this year and it had already begun filming last year. But it was pushed back from an earlier release due to something else. That something was Black Mirror: Bandersnatch. This is a special one-off episode.

This particular tale is one set in 1984 and tells of a young gaming programmer, Stefan Butler (Fionn Whitehead) who comes up with and sells the idea of a video game that gives the player freedom of choice. The game is based on one of those amazing choose your own adventure books called Bandersnatch by writer Jerome F. Davies (Jeff Minter – legendary game designer). While writing the book, Jerome went mad and killed his wife.

Black Mirror Bandersnatch Stefan

Stefan sells the idea to game publisher, Tuckersoft. But as Stefan delves deeper into the book and his game, things begin to unravel and history tends to repeat itself…

So this special episode is different to any other Black Mirror episode that has gone before it. You see, Black Mirror: Bandersnatch is interactive. You get to make decisions for Stefan at certain points in the story and those decisions will shape the way the episode plays out. Some choices are very mundane from choosing which breakfast cereal to eat or what music to play (mundane, but still have an effect) to much bigger and important choices that will lead to one of numerous endings the episode has.

Black Mirror Bandersnatch Music Choice.png

It has been said that there are five “proper” endings to the episode, but then there are so many branches you can take that lead to other parts that could be considered endings that even creator Charlie Brooker himself has said he’s not sure just how many there really are and everyone involved in the episode can’t agree on what constitutes as an ending, it has even been said that there are so many possible outcomes that some scenes may never be seen.

Black Mirror: Bandersnatch aired on Netflix only a few days back on the 28th December last year. Yet fans have already been scouring the episode and creating flowcharts and maps to find each and every possible outcome. The view time can vary from 40 odd minutes to a couple of hours depending on your choices and around six hours of footage was filmed to be included for each path. I’ve been (I guess) “playing” this episode for a couple of days and seen a fair bit of it and various endings… but not all of them. But is it any good?

I grew up in the late 70s through the early 80s as an avid gamer, I remember and read a load of those chose your own adventure books back then too. And I really do love Black Mirror –  so this episode is seemingly tailor made for me. It’s like an amalgamation of many things I have a strong passion for.

Black Mirror Bandersnatch

The setting is amazing, the nods and references to 80s gaming and the decade in general is stunning and I broke out a nerd smile more than once throughout this episode. So many childhood memories wonderfully recreated through Black Mirror, the attention to detail is exquisite. Even the name Bandersntach is one that is carefully chosen as it references to a major misstep by one of the most influential British gaming publishers of the 80s (one of many subjects covered in my up coming book). There are great Philip K. Dick references, fourth wall breaks, self-referential writing and all sorts going on here. In that regard, I really loved this episode. I got so much enjoyment from just finding little Easter eggs and references, little sparks that kick-started memories from me growing up.

But as an episode of Black Mirror? It’s definitely one of the lesser ones. There’s no such thing as a bad episode of the show – but there are disappointing ones and this is one of them. The story is just a bit too bland for me and the characters not as well written as in previous episodes. The whole choice thing got tedious for me and I quite honestly just got bored of it all. I “played” though the episode four times, each time making different choices and I can’t really say I enjoyed any of them. There’s an element of Groundhog Day with you “resetting” back to a point and trying again, so be prepared to see the same scenes over and over and over again as you can’t skip them even if you’ve already seen it. A lot of the choices are so mundane they may as well not be there and there’s a lot of filler thrown in to pad out this illusion of choice thing.

Black Mirror Bandersnatch Netflix Choice

There are some nice moments that made me smile, like Stefan realising someone (you) is controlling him and you can respond by telling him you are watching Netflix… which didn’t exist in 1984 when this episode is set. There are some fantastic gaming related choices that will mirror the game Stefan is creating and there are more than a handful of nods to previous Black Mirror episodes. It all gets very meta at some points (including one of the endings) and I love when writers do stuff like this. Brooker’s talent as a writer really does shine in some elements of this episode. But quite honestly, I’d have much preferred just having a “normal” episode without the choice thing with Brooker still doing all his fourth wall breaking and references.

But the story just doesn’t really do anything or go anywhere as it gets lost in it’s own gimmick. There’s no real hook, no punch as with other episodes. Give me White Bear, The National Anthem, White Christmas, Shut Up And Dance, Metalhead, Hated In The Nation or one of the other fantastic Black Mirror episodes in this format and it could’ve been something truly amazing. What you have here is a rather uninspired story that lacks the depth and whole Black Mirror ethos.

There’s a lot to find in the episode including an actual game you can play on a ZX Spectrum (you can play it another way too if you don’t have a ZX Spectrum handy) hidden away in one of the episodes. The game is Nohzdyve and it appears in the episode itself, the name of the game is also a reference to a previous Black Mirror episode too. It’s like an Easter egg inside and Easter egg. If you want to find it an even attempt to play it click here.

All in all, it’s a gimmick and one I just quickly got bored of to be honest. As I said, I “played” though the episode four times and I don’t see myself revisiting it to see the rest of the footage I missed. I saw one ending twice and the other two were just sight variations of each other. I’m really not all that bothered about seeing the rest, but I think I might enjoy it more if someone did and edit of the episode that just played out like a normal one with a defined start, middle and end.

To be completely fair, you can kind of watch it like that as you don’t have to chose anything and just let the episode pay out as is. It will select a choice for you and you’ll see a lot more scenes. But the episode will keep jumping back in time to a previous choice and select the other one to see the alternate path… it all gets a bit tedious as you watch and re-watch the same scenes over and over. As I said, I’d rather just see an edited version without the choices telling an A to Z story.

Black Mirror Bandersnatch Reference.png

Black Mirror: Bandersnatch is a great idea, in places it’s brilliantly written too. But my enjoyment came from the 80s setting, the references, the nods to previous episodes, etc and not the whole interactivity thing – which I grew tired of. The story itself is one of the lesser ones in the Black Mirror library of tales. Maybe check it out for curiosity sake if you have a Netflix account, you might get a few hours of enjoyment from it.

It’s a nice little addition to whet the appetite while we wait for season five to come around. But not something I think will be revisiting.

The End Of Little Bits?

So I’m starting New Year with a possible goodbye, or at least an au revoir.

I’ve been writing this blog for a while now and enjoyed it immensely. I’m eternally grateful to anyone who has been following/reading and surprised I still get new folk following on a weekly basis.

But things are changing here at WordPress who host this platform… money things. See, I pay a subscription every year to keep this blog going and WordPress are changing what you get for your money. Basically they want me to pay the same amount but are removing features I currently get with the package I pay for – to then charge extra for those features. And after some thinking, I don’t believe what they now want me to pay to keep this site with the same features is ultimately worth it.

Money.jpg

It’s not just the WordPress greed that is forcing my hand though. Maybe the planets have just aligned at the right time? See, this blog has always been just a fun hobby for me – I didn’t expect one follower, never mind the amount I do have. 2018 saw more people reading my inane rants and views than ever before. But as I say, this was always just a hobby. My real passion lies with writing books.

Last year I shared my idea to write a book covering the best of British game developers & publishers. And by November, I’d finished the first draft of that book. I’m currently trying to sell the idea to get it published while I work on the second draft. Plus I’m two thirds the way through writing my first novel. A vigilante thriller that’s not as straight forward as it first seems. Then I’m currently writing my second short story collection as well as outlining future book ideas. Basically, I have a hell of a lot of writing ahead of me.

Old vintage typewriter

This is what I want to do – write. Last year I wrote more in those 12 months than I have the previous two years combined. So with WordPress wanting more money and my interests lying in my books – I’ve decided not to renew my current premium account when it expires on the 17th of April, 2019.

I do work full-time, have a 14 month old daughter, write books and with this blog too – I’m just spreading myself way too thin right now and something needs to be dropped.

Now this doesn’t necessarily mean the end of Little Bits of Gaming & Movies for good. I’m not going to delete the site and all my articles will still be available, plus I can still write on this blog as and when I want – I still have 20 draft articles I’ve not published. But the domain name will change as I’ll no longer be paying for it as well as some other behind the scenes stuff too that will limit my options when I drop the premium package and go the free route instead. I’ll be concentrating on my books through 2019 and this blog will just be a background thing I can dip into now and then. They’ll be fewer articles overall as I turn my attention to bigger things. But who knows what the future holds?

If my writing career kicks off, I’ll quit the day job and be a full-time writer. If that happens then I’ll have more money and more importantly, time to invest into my hobby of writing this blog. Maybe, just maybe if things work out, Little Bits of Gaming and Movies will be back bigger than ever with me able to really create something better. Maybe a whole new blog that binds my love for games, movies and my writing?

I definitely don’t want to completely close the door on this. I really do enjoy writing this blog but needs must and my dreams and aspirations lie elsewhere right now.

Thank you

But I just want to say a big thank you to everyone who’s followed me and to anyone who sits there reading my views and opinions from you folk who’ve been around for years to the ones who have only just begun following in the last few weeks or so.

Little Bits of Gaming and Movies will be hibernating for a while. Occasionally waking up with the odd article through the year, but mostly sleeping through 2019.