It popped up on my newsfeed that Mick McGinty passed away recently. No, don’t worry, I admit that I didn’t recognise the name either. Still, if you were a gamer in the nineties, the name may not have been familiar, but the work most definitely would be. Mick McGinty was behind some of the most iconic video game art in the 1990s.
Mick was an incredible artist as his personal fine art site can prove. But if landscapes and still life wasn’t your thing, his work in the gaming world most probably was. Perhaps Micks’ most famous gaming work would be his incredible Street Fighter II art. Whenever there was a new version of the massively popular beat ’em up (and there were a lot of them), Mick McGinty’s artwork was right there with them as he created some of the most recognisable game cover art ever.
His chunky, muscly character style suited the beat ’em up genre perfectly and Mick’s art soon found its way onto many a game box. Mick McGinty was also the man behind the covers for several of the Streets of Rage games for Sega.
Mick also did the cover art for games like Sierra’s Leisure Suit Larry franchise, Zoo Tycoon, Kid Chameleon and Shining Force to name just a few. Mick’s art was also used by Disney, Reebok, MTV, Universal Studios, McDonald’s and so many other big-name brands. You’ve most probably also seen Micks’ art on movie posters and not even realised it. He was the man behind the Jaws 2 poster and other Jaws artwork.
The 1987 Dragnet movie, Curse of the Pink Panther, Harry and the Hendersons, Field of Dreams, Who Framed Roger Rabbit and so many more films. Mick McGinty’s art spans decades, genres and brands. You may not know it, but I can guarantee that you’ve admired at least one of his pieces over the years, whether it be gaming related, a movie poster or just a brand name that you’ve most probably bought into at some point in your life. Mick’s work was… is legendary and his talent will be greatly missed.
“I’ve been an artist since age 5, when I remember drawing an airplane better than my older brother. It was a bi-wing with a propeller, and it was encouraging because up until then, it was the only thing I could remember doing better. I kept at it, and now nearly 50 years later I’m still trying to improve my creative process… Now I realize you never really get better than anyone else… just more unique to your own style, and you become the best painter you can be.”
– Mick McGinty