Okay so, I’m a massive John Carpenter fan. He’s one of the great storytellers and filmmakers of my generation. They Live, The Thing, Big Trouble in Little China, In the Mouth of Madness and so on. I do love me a bit of JC. However and time for a confession, I’ve never really been much of a fan of Halloween. It’s just a very average slasher flick with a very memorable Donald Pleasence performance. I respect the film and what it did for the horror genre but given the choice, I’d rather watch something else.
When the recent Halloween legacy sequels came out, I just let them slide by without even so much as a sideways glance. Well, there’s a new Halloween legacy sequel out now and one that is said to be the definitive end to the story… until they decide to reboot it again in a couple of years. ‘Tis the season of Halloween, there’s a new Halloween film out and I always do a Halloween special for my blog. Plus, I did do a Halloween retrospective back in 2018. So, in order to finish what I started, I guess I have to take a look at the last three films as one of my Halloween specials this year. Oh yeah, I have more than one Halloween special coming for your eyes. But first, my view of the three Halloween legacy sequels.
This flick, while the eleventh in the franchise, ignores all of the sequels and is a direct sequel to the 1978 original. Michael Myers, following his Haddonfield killing spree in 1978, has been locked away at the Smith’s Grove Psychiatric Hospital for the last four decades where he has never so much as said a single word. Aaron and Dana, two real crime ‘investigators’ (read: annoying podcasters) visit Micheal, wanting to interview him about his murderous ways. Not getting anywhere as Michael Myers is not saying a word, Aaron pulls out Michael’s original mask that he wore for his killing spree, hoping to get some kind of a response. Nothing.
In Haddonfield, Laurie Strode has become a recluse and a bit of a cliché. She drinks, has a strained relationship with her daughter Karen and granddaughter Allyson and lives in a heavily fortified home as she awaits the return of Michael Myers. Still haunted by visions of what happened that night and suffering from PTSD. As they got nowhere with Micheal, Aaron and Dana interview Laurie instead and don’t get a great deal out of her either. When Michael Myers is being transferred from the Smith’s Grove Psychiatric Hospital to a high-security prison, the bus that he is being transferred on crashes and Michael escapes on October the 30th. Of course, Michael Myers is freed, gets his mask back and makes his way to Haddonfield to finish what he started 40 years before.
As a sequel to the original film, this works really damn well. One of my issues with the first film is the lack of any actual plot. It really is just a killer murdering annoying babysitters. Like totally. Here, there is a plot. You have Laurie struggling with her past and her family, who think she is going nuts. There’s Frank Hawkins, the officer who supposedly stopped and arrested Michael Myers back in 1978 and he seems to be the only one on Laurie’s side. Then, of course, there is all of the killing. Michael himself is genuinely creepy and feels like he did in the first film. If you have ever watched any of the fucking atrocious sequels, you’ll know what I mean.
Halloween has a great sense of atmosphere and dread running throughout. There are some well-done nods and references to the sequels (that no longer exist in this timeline), such as the clearing up of Laurie being Michael’s sister. The infamous masks from Halloween III: Season of the Witch and more. This is a film that was clearly made by people who had a passion for the original. It gets a bit cliché now and again, naughty babysitters obviously going to be killed, people falling over nothing for no reason as Michael Myers chases them. You know, all the typical slasher movie tropes, but they work and feel right. There are zero surprises here (except for maybe one character’s motivations). From the moment the film opens up, you know exactly where it is going. But there’s nowt wrong with that. Halloween doesn’t try to be pretentious and it knows what it is. I have watched all of the Halloween films and despite me not being a gargantuan fan of the original and that I don’t hold it up as the messiah of slasher films, like so many others do, I still have a huge amount of respect for it. I felt that this was way better than the original.
There’s an actual plot and the characters are not all annoying pricks. It is well-shot and has a genuinely unnerving tone. Of all of the Halloween films (discounting Halloween III as it is more of a stand-alone thing), this is my favourite. Jamie Lee Curtis is awesome and kicks some bum-cheeks as the ageing, but still very capable pensioner with a gun. Judy Greer as Laurie’s estranged daughter is great too. Then there is Andi Matichak as Laurie’s granddaughter, or ‘Laurie II’, she does very well. The three make a believable and very watchable trio. Halloween is a great start to this legacy trilogy and I am genuinely excited to see the next two.
Starting out with a flashback to 1978 and showing just how Frank Hawkins ‘captured’ Michael Myers after the events of the original film. The film then jumps to the present time and picks up just minutes after the ending of the previous film. A party is being held, by Tommy Doyle, as a celebration of 40 years since Michael Myers was captured and sent to the Smith’s Grove Psychiatric Hospital. Joining Tommy in the celebration are some survivors of Michael’s 1978 killing spree. Back at Laurie’s house, firefighters turn up and try to put out the fire that Laurie started to kill Michael at the end of the previous film. The firefighters accidentally set Michael Myers free and he does what he does. Kills the firefighters and gets back to terrorising Haddonfield on Halloween.
Meanwhile, Laurie, Karen and Allyson are at the hospital and being taken care of after their run-in with Michael Myers. Also at the hospital is Frank Hawkins, following his own run-in with Michael during the events of Halloween (2018). News of Michael’s latest killing spree reaches Tommy Doyle and the other survivors and they decide to form a mob and hunt down Michael Myers themselves. Back at the hospital, Laurie and Frank reminisce about the old days while Karen learns that Michael is still alive.
Halloween (2018) really was a fantastic legacy sequel that improved on the original, told a great story and continued Laurie Strode’s history. Halloween Kills shits on all of that. Laurie is unconscious/in a hospital bed for 85% of this film. The other 15%? She gets to walk around the hospital for a bit (before going back to her room), and that is a massive waste of Jamie Lee Curtis and her character. Seriously, you could edit Laurie out of the film completely and it would not affect the plot in any way. The mob, led by Tommy, is just fucking annoying and gets way more screen time than they deserve. I think the idea of having Laurie in the hospital for the entire film was a reference to Halloween II, in which Laurie is in hospital for the entire film (just without the bad wig). I personally think it would have been better to have had Laurie actually doing something in the film other than lying in a hospital bed. ‘Cos, you know, she is the main character.
There are some great references to the original flick and even some of the original actors coming back to reprise the roles that they played over 40 years ago (and some recasts). Halloween Kills is a pretty bloody film too. But, you know what? It’s not scary, it lacks atmosphere and that sense of dread that was running through Halloween (2018) is gone. This almost feels like the filmmakers set out to make a bad horror sequel to a good flick to (meta) highlight that bad horror sequels to good flicks exist. Though I’m sure that was not the intent. As a continuation of Laurie Strode’s story, this fails. As a sequel to a good first film, it fails. As an example of how to not make a film, it works. When I finished watching Halloween, I said how I was genuinely excited to see the next two. After this, I just hope the next one isn’t this bad. I’d even settle for an ‘okay’ film at this point.
Well, this it is, the finale. It’s Halloween 2019 and Corey is babysitting Jeremy… which does not end well at all. Three years later and Michael Myers’ killing spree of 2018 is still felt through Haddonfield, though Michael himself has disappeared. Laurie has moved into a house, a normal and everyday house. No fortifications, no hidden safe rooms, a house. Now living with her granddaughter, Allyson. In her downtime, Laurie is writing a memoir of her experiences with Michael Myers. Corey crosses paths with some local bullies and ends up with an injury. Laurie stops the bullies and takes Corey to the hospital, where Allyson is now working at. Corey and Allyson hit it off and strike up a relationship.
The couple agree to go to a Halloween party together. After seeing someone from his past, Corey leaves the party and crosses paths with the bullies, again. This time, they throw him off a bridge. He survives, but is taken into the sewers by ‘someone’. After regaining consciousness, Corey is confronted by Michael Myers, who has been living in the sewers since his murderous ways of Halloween night 2018. However, Michael doesn’t kill Corey, he lets him go. But why?
I tell you something, the opening of this film is amazing. Really moody and feels very Halloween and has quite a surprise outcome. Then, it all goes downhill and keeps going downhill. This is atrocious. I can see that the filmmakers wanted to try something different and subvert the fan’s expectations, but it really doesn’t work at all. Michael Myers is hardly in this, absolute bare minimum. And I don’t mean that he is underused to great effect like the shark in Jaws or even Michael Myers in the original Halloween. I mean that he is so underused that Michael may as well not even be in the film. This is kind of what they did with the previous film with Laurie by having her in a hospital and doing a whole lot of nothing. It’s now Michael’s turn to be in a film and do a whole lot of nothing.
Outside of the opening 10 minutes or so, there are no scares, no atmosphere and no surprises. It has very little to do with Laurie Strode and Michael Myers, 40 years of build-up for a finale that is nothing more than a damp squib. I mean, they basically stole the plot from Friday the 13th: A New Beginning, just without the surprises. I’m actively trying to avoid spoilers here, but you know exactly where this film is going to go before it even reaches the halfway point. Yeah, Laurie finally kills Michael (again) but even that feels like a tacked-on idea just to give this bore-fest some kind of closure and tie it in with the franchise. This could’ve been a 20-minute short just to tie up loose ends following the events of Halloween Kills and yet, it drags on for almost 2 hours. This is dull, woefully dull. The only positive, outside of the opening, is that Jamie Lee Curtis actually has some stuff to do here (despite the little screen time that she has) and isn’t stuck in a hospital doing nothing for the entire film.
If you are looking for a good Halloween film to watch this scary season, watch the 1978 original Halloween and then watch the 2018 sequel afterwards. Then, just leave it at that. The 2018 flick did such a fantastic job of bringing Laurie and Michael back that, I guess the only way to go was down. The last two films of this trilogy are awful, lets just pretend that they don’t exist.
But is this truly the end of the Halloween franchise? Nope, they’ll bring it back somehow. Whether another remake, another reboot or of they leave it 40 years and do another legacy sequel with Andi Matichak retuning as Laurie’s granddaughter. Halloween, as a franchise, has not ended. Laurie even writes a line in her memoir at the end of Halloween Ends that hints that it is not over. Michael Myers is definitively dead at the end of Halloween Ends, no doubt about it. He doesn’t suffer one of those ‘well maybe he survived’ deaths. There is absolutely no way that he could’ve survived… but the film still hints that it is not over. They’re leaving their options open for more.